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November, 2010

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152 Henry Street

152 Henry Street, a four story red-bricked Greek Revival multiple dwelling, could be the last Single Room Occupancy in Brooklyn Heights from the 19th century.

152 Henry Street, Brooklyn Heights, 2010

Landmarked in 1965, the Brooklyn Heights neighborhood served as the city’s inaugural landmark designation. The subsequent designation report is brief and scantly detailed, but preservationist and Kentucky-native Clay Lancaster wrote a definitive history of the neighborhood, Old Brooklyn Heights, which is commonly perceived as the surrogate designation report for the area.  However, in his book, Lancaster does not mention 152 Henry Street.

Self-effacing in its charmed simplicity, 152 Henry is overshadowed by its more traditionally historic neighbors, like the quaint gingerbread-house coziness of 156 Henry Street, which is now a CVS pharmacy.

A Single Room Occupancy, or SRO, follows different housing rules than regular apartments.  The rent is cheaper than most apartments, but tenants must forgo typical amenities.   SROs usually follow stringent rules against co-ed occupancy.

I first heard that 152 Henry Street was an SRO from a friend who dwelled there and waited tables at Peter Luger Steakhouse.  He’d heard about the place from another waiter at Luger’s, since retired, who lived at 152 for many years.

152 Henry is peculiar, almost from another era, like an all-male bachelor’s boarding house before World War I, when single living situations abided a different social expectation. It is an anomalous, word-of-mouth, somewhat impenetrable happenstance in the midst of one of the most unique and highly-prized neighborhoods in New York City.

You won’t find an ad on Craig’s List for a room at 152 Henry, or as you might have found in the classifieds of the old Brooklyn Daily Eagle, where, in 1895, the terms of rent were $2 per week.  In 1878, when the building was advertised as “handsomely furnished,” rooms were offered with “ample closets” (these days the closets have been converted into individual rooms):

1878-ad

… Or in 1864, when a “parlor and bedroom” for a “gentleman and wife” were available, as was a “hall room” for a single gentleman.

1864 ad

Note the building’s address as “130 Henry.”  Street addresses in Brooklyn Heights changed in 1870.  I found evidence of the building’s old address by consulting our library’s rich collection of Historical Atlases.

A “hall room” sounds like an appropriate, and classier, description of the rooms today in 152 Henry Street.  Traces of the building’s modern use as an SRO are reflected in an ad from 1863:

1863 ad

In 1891, an unfortunate incident occurred outside 152 Henry.  According to two pieces in the Brooklyn Daily Eagle, dated July 28 and July 30, Dr. Helene Lassen, “a well proportioned and rather good looking woman of middle age… privileged to place the letters M.D. at the end of her name… had an experience with dogcatchers this morning which she evidently won’t forget in a hurry.”  Dr. Lassen left her residence at 152 Henry to walk her dog, Laddy, a “thoroughbred pug and not as ugly as the general run of this class of dogs.”  Laddy was not on a leash, since Dr. Lassen admitted she only took Laddy out this day “for a romp,” but he was duly tagged on his collar.  The pug ran off down the street, but before his owner could retrieve him, the local dogcatcher, “a big brute of a man,” snatched up Laddy by the hind legs.

Dr. Lassen caught up to the brute and took hold of Laddy’s fore-end, and the two proceeded to have a tug of war over the pug, until the dogcatcher struck the doctor and knocked her down, and tossed Laddy in his wagon with other kidnapped curs.  Dr. Lassen jumped into the wagon to save the dog, but was again assaulted by the “burly brute,” who absconded with Laddy.

Dr. Lassen was advised to complain to the office of Mayor Alfred Clark Chapin.  She eventually freed little Laddy from the pound, but after pressing charges against the dogcatcher, she was told that since the pug was not on a leash, she indeed had broken the law, and was “prevented from prosecuting the assailant of herself and her pet.”  Said the Eagle, “the shock to her nervous system was very great, and her shoulder is still bruised and sore.”

The next morning Dr. Lassen gained a bizarre sense of closure, when she received a creepy anonymous letter at her home, written with a thuggish level of literacy:

letter

These dognapping brigands would have a fine time today, by the preponderance of Brooklyn dog owners who leave their pets leashed to the parking meter while going inside to have lunch or do their shopping, leaving poor Bowser to languish on the sidewalk.

The writers for the Eagle can’t help describing Dr. Lassen’s attractive physical features before noting her profession as a doctor, for which, being a female in 1891, she is “privileged.” She was victimized by hoods on both the street and City Hall.  152 Henry Street, besides letting rooms to single bachelors, as was the custom of the day, was also once the home of a stalwart lady of class and manner with an independent medical practice – which was not the custom of the day.

In the future, whenever 152 Henry phases out its SRO status, a bygone legacy of apartment living in Brooklyn will have phased out too, one which it could be assumed would have been long extinct anyway, like Automats or subway tokens, or when single gentlemen lived in boarding houses for $2 per week.

Artist and Artifact exhibit – artists interpret Brooklyn’s history

BHS is really excited about our new exhibit, Artist & Artifact: Re|Visioning Brooklyn’s Past, presented in partnership with our neighbor BRIC Rotunda Gallery, the contemporary art space of BRIC Arts|Media|Bklyn.

Artist & Artifact installation at BRIC Rotunda Gallery

Artist & Artifact installation at BRIC Rotunda Gallery with entry wall featuring comic book drawings by Andres Vera Martinez.

Over the past two years, 10 artists (7 visual artists, 2 writers, and a musician) were invited to delve into the BHS collections and create new works inspired by what they found. The new pieces are currently on view alongside objects from the BHS collection, creating a dynamic between past and present.

It has been fascinating to discover the range of themes and objects that the artists chose to focus in on. Many of the artists have looked at gaps in historical representation or looked at why certain people are memorialized and in what way.  Others were intrigued by the relevance of past events to issues we deal with today.  And some address how history lasts or disappears with the passing of time.  The resulting works include a comic book, photocards that can be arranged by viewers, paintings, photographs, sculpture, a letterpress book, an installation piece and performance video.

We hope you’ll visit the exhibit to explore these contemporary interpretations of history as well as the objects from our collections that are highlighted.

Read the Brooklyn Daily Eagle exhibition review here.

Meredith Bergmann transports her sculpture Historia Testis Temporum: Pinky, now on display in the lobby of BHS, as a contemporary answer to the portrait busts that adorn the facade of the building.

Meredith Bergmann transports her sculpture Historia Testis Temporum: Pinky, now on display in the lobby of BHS, as a contemporary answer to the portrait busts that adorn the facade of the building.

This exhibit is on view for the next few weeks only, until December 17.  Please note that BHS is open on Tuesdays during the run of the show.  Exhibit hours are: Tues – Sun, 12 – 5 (BHS); Tues – Sat, 12 – 6 (BRIC Rotunda Gallery, 33 Clinton St).

There are also opportunities to hear from the authors and artists about their work and the process of working on this project:

Author Readings with Michael Schwartz & Elizabeth Gaffney - Saturday, Nov 20, 2 – 4 p.m.

Artist Panel and Gallery Talk with Nora Herting, Andres Vera Martinez, Meredith Bergmann & Stanley Greenberg – Tuesday, Nov 30, 6 – 8 p.m.

Artist & Artifact installation at BHS with text and listening station for Elizabeth Gaffney's writing and display case of relevant objects from the BHS collection.

Artist & Artifact installation at BHS with text and listening station for Elizabeth Gaffney's writing and display case of relevant objects from the BHS collection.

Listen to Elizabeth Gaffney read excerpts from her forthcoming novel The End of the Age of Wonder (Random House, 2011):

Wally, August 1945

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Antland, June 1945

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The Victory Garden, 1945

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Listen to Michael Schwartz read his short story Hey Gerry!:

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Let us know what you think!

Tourist maps

First off, let me admit that I am new to New York. I’ve been in the city for almost a year, and while I’ve learned to navigate the streets pretty well, sometimes I still turn a corner and find myself hopelessly lost. So I am very sympathetic to all the tourists wandering around BHS and Brooklyn Heights, struggling to find their way.

Unfortunately for tourists, Brooklyn Heights does not have a great deal of signage to help them find the neighborhood’s landmarks, or even the way to the Promenade or the Brooklyn Bridge. In response to this, a professor from Parsons the New School of Design gave her students a seemingly simple assignment: design a tourist map of the area around the Brooklyn Bridge.

Last week, a group of Parsons students came to BHS to look at our 20th century tourist maps. By looking at these examples, the students were able to see which mapping approaches produce the most aesthetically pleasing and functional maps.

Following are some of the maps that the students looked at during their visit. If you’re not a native New Yorker, try to remember the first days you were walking around the city, simply trying to get from Point A to B. Imagine coming out of the Borough Hall station, you’re on Court St. and there are people everywhere. You’re looking around, you don’t see any signs to help you, and you want to get to the Brooklyn Bridge. Would any of these maps have helped?

First, a map of Brooklyn designed for tourists traveling to the 1939 World’s Fair:

Brooklyn and how to get to the World's Fair. [1939]. Brooklyn Historical Society Map Collection.

Brooklyn and how to get to the World's Fair. 1939. Brooklyn Historical Society Map Collection.

Detail of Brooklyn Heights from the same map:

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Brooklyn and how to get to the World's Fair. 1939. Brooklyn Historical Society Map Collection.

Second, a map made for the real estate company Heights Cranford Inc. in 1959:

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Map of Brooklyn Heights. 1959. Brooklyn Historical Society Map Collection.

Detail from the same map:

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Map of Brooklyn Heights. 1959. Brooklyn Historical Society Map Collection.

Third, a 1955 map of Brooklyn Heights from “Nester’s Brooklyn maps”:

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Nester's Brooklyn maps. 1955. Brooklyn Historical Society Map Collection.

Detail from the same map:

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Nester's Brooklyn maps. 1955. Brooklyn Historical Society Map Collection.

Next, a map of Brooklyn Heights published for the Downtown Brooklyn Association ca. 1940s:

240

The heart of Brooklyn. 194-?. Brooklyn Historical Society Map Collection.

Detail from the same map:

226

The heart of Brooklyn. 194-?. Brooklyn Historical Society Map Collection.

Finally, a 2003 map of Brooklyn Heights for the Montague Street Business Improvement District:

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Map of Brooklyn Heights. 2003. Brooklyn Historical Society Map Collection.

Detail from the same map:

Map of Brooklyn Heights. 2003. Brooklyn Historical Society Map Collection.

Emma Toedteberg, Librarian Extraordinaire

Part of what I love about working as an archivist is getting to peek in at lives of the past, and getting to know the Brooklynites who walked the streets decades, and centuries, before us. What’s even better (and yes, even nerdier) is learning about a woman who helped build the collections at BHS that we use today. A few months ago, my teammate Patricia and I surveyed a collection from BHS’s third librarian, Emma Toedteberg. If you’re a regular patron of the archives, then you may have already heard of Emma—she’s the namesake of our catablog. Her collection is slim, but it gives us some insight into her rich life.

Emma and her sister Louise were the daughters of German immigrants Augustus Toedteberg and Catherine Lager. The Toedtebergs were married in New York City in 1849, and lived on Vanderbilt Avenue in Fort Greene.

Catherine and Augustus Toedteberg, DAG.46, Brooklyn Historical Society Daguerreotype Collection

Catherine and Augustus Toedteberg daguerreotypes, circa 19th century. Brooklyn Historical Society Daguerreotype Collection, DAG.46.

Augustus Toedteberg worked as an illustrator in the publishing industry. He shared with his younger daughter Emma a passion for books and a love of travel. Emma and her father took a six month tour of Europe in 1886, and thoroughly documented the sites they visited in Germany, Switzerland, and Belgium in scrapbooks. Emma returned to Europe in 1916 by herself, and also compiled postcard albums of her solo journey.

Scrapbook of views and other material collected during a trip to Europe in 1886 by Miss Emma Toedteberg and her father Augustus Toedteberg, 1886. Emma Toedteberg papers and photographs, ARC.079, Brooklyn Historical Society.

Scenes from Berlin, Scrapbook of views and other material collected during a trip to Europe in 1886 by Miss Emma Toedteberg and her father Augustus Toedteberg, 1886. Emma Toedteberg papers and photographs, ARC.079, Brooklyn Historical Society.

At 13 years old, Emma arrived at the Long Island Historical Society (now known as the Brooklyn Historical Society) to address envelopes. From that modest position, she was taken in as an apprentice to the head librarian. She worked as assistant librarian under George Hannah for 20 years, finally becoming head librarian upon his retirement in 1889. A woman with a full-time career was still a radical concept in the late 19th century, and the Brooklyn Daily Eagle wrote that Emma Toedteberg’s appointment was a “fresh illustration of the expanding opportunities of women.”

Emma and her family were fervent advocates for animal rights. She and Louise hosted bridge parties to raise money for animal charities, and Emma served as president of the Brooklyn Women’s Aid Association. Upon her death, she bequeathed almost $10,000 to the New York Women’s League for Animals and the American Society for the Prevention of Cruelty to Animals.

Despite her hard work both in and out of the library, Miss Toedteberg was not one to embrace the spotlight. Fortunately, she did save clippings that documented her busy professional and social life.  She attempted to retire in 1924, though letters from board members, such as this one from Willard Bartlett, convinced her to stay—and expressed in no uncertain terms how the trustees and members of LIHS felt about her contributions.

Letter from Willard Bartlett, 1924. Emma Toedteberg papers and photographs, ARC.079, Brooklyn Historical Society.

Letter from Willard Bartlett, 1924. Emma Toedteberg papers and photographs, ARC.079, Brooklyn Historical Society.

In total, Emma worked at LIHS for 67 years, until her death in 1936. The society was bereft when she passed. Louise wrote in a letter following Emma’s death that every executive committee member from LIHS attended her sister’s funeral, and Emma had been a proud honorary member of the society.

Minutes of the Long Island Historical Society Board of Trustees, 1936. Emma Toedteberg papers and photographs, ARC.079, Brooklyn Historical Society.

Minutes of the Long Island Historical Society Board of Trustees, 1936. Emma Toedteberg papers and photographs, ARC.079, Brooklyn Historical Society.

World traveler, animal lover, pioneer for independent women in the workplace; Emma was many amazing things. Check back for a future post about one of the great collections we have at BHS thanks to Miss Toedteberg.

Emma Toedteberg and dog, circa early 20th century. Emma Toedteberg papers and photographs, ARC.079, Brooklyn Historical Society.

Emma Toedteberg and dog, circa early 20th century. Emma Toedteberg papers and photographs, ARC.079, Brooklyn Historical Society.