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April, 2011

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Brooklyn History Photo of the Week: Brooklyn Academy of Music

Brooklyn Academy of Music, Montague Street, ca.1895, v1972.1.781; Brooklyn Historical Society Photography Collection.

Brooklyn Academy of Music, Montague Street, ca.1895, v1972.1.781; Photography Collection; Brooklyn Historical Society.

The Brooklyn Academy of Music (BAM) was originally located at 176-194 Montague Street in Brooklyn Heights, as seen in this nineteenth-century photograph. The building, originally intended to be the home for the Philharmonic Society of Brooklyn, was designed by Leopold Eidlitz, and contained a 2,200-seat theater as well as a smaller concert hall. Its opening performance was held on January 16, 1861, and the hall hosted a variety of notable performers.

On November 30, 1903, the Montague Street building seen in this photograph was destroyed in a fire. In 1906 BAM relocated to its present-day location at 30 Lafayette Avenue, in Fort Greene.

Inventing This Year’s Ex Lab Exhibit: People, Stages, Progress

This spring, BHS’s fifth annual Exhibition Laboratory after-school museum studies program is underway. The fourteen participating high school students are hard at work co-curating BHS’s newest exhibit. A few of the students wanted to give you the inside scoop on what it’s been like to work on the project. It’s my pleasure to introduce guest blogger, Brooklyn Technical High School junior Neil Alacha.

Thanks, Neil!

Inventing This Year’s Ex Lab Exhibit: People, Stages, Progress

Guest Ex Lab Blogger: Neil Alacha (Brooklyn Tech)

Guest Ex-Lab Blogger: Neil Alacha (Brooklyn Tech)

by Neil Alacha

For several years, BHS has run Exhibition Laboratory (or Ex Lab, as we call it), a program that lets interested high-school students such as myself curate an exhibit that will then be put up for display. You may have seen last year’s exhibit, “Home Base,” a nostalgic tribute to the Brooklyn Dodgers and Ebbets Field. It sure was a home run! This year, those of us in Ex Lab were given the challenging – but exciting – task of bringing together into one exhibit all of Brooklyn’s history; Native Americans, Breuckelen, Brooklyn, and everything in between. We began towards the end of January, and have been meeting every Tuesday and Thursday since, so that our exhibit will be ready for viewing on June 2nd.

The toughest part about our exhibit has been figuring out how to organize it. With such an expansive array of topics to cover, we knew we had to subdivide the exhibit into more manageable sections. But what would those sections be? And how many should we have? We figured that the best way to answer those questions was just to start working on the exhibit and see where it leads us. After some greatly appreciated insight from our two historians, Professors Ted Burrows and Craig Wilder, and a preliminary perusing of the BHS Collection, we had a rough idea of how the exhibit would look, with seven sections in mind: Native Americans, Colonial Brooklyn, American Revolution, Print Culture, Abolitionism and the Civil War, Immigration and Consolidation, and Pop Culture.

Just when we thought we had crossed the first hurdle, however, we soon found that after coming up with those seven sections, we had more questions and doubts than before. Many of the objects we wanted to display and stories that we wanted to tell seemed to overlap between categories. We knew we needed to change our game plan. After some creative thought, we decided that rather than focus on chronological sections, we would create thematic sections. As a result of that development, we are now confident in our current plan, which includes five sections: People, Places, Wars, Print Culture, and Brooklyn’s Image.

Ex Lab students researching BHS's archival materials to chose objects for their exhibit.

Ex Lab students researching BHS's archival materials to choose objects for their exhibit.

Concurrently with deciding on the content and layout of our exhibit, we also had to select a title. The few weeks we spent on brainstorming and debating possible titles felt like a nerve-wracking limbo period – our designers needed a title to aid them for inspiration, and we needed a title to begin to publicize the exhibit. To start off, each student in Ex Lab came up with at least one possible title. Here is a sampling of the ideas we threw out there: Inventing Brooklyn: From Farming Village to Urban Jungle (my own creation), Building Brooklyn: Brick by Brick, Inventing Brooklyn: Collage of a Borough’s Past, and Brooklyn: The Amazing History, to name a few.

Ex Lab students using a classic democratic method to choose potential exhibit titles.

Ex Lab students using a classic democratic method to choose potential exhibit titles.

From all of our titles, we chose five or so of our favorites and sent them to the BHS staff for input. “Inventing Brooklyn: Collage of a Borough” emerged as the front runner. But after a follow-up meeting with Professor Wilder, however, we realized that we needed to do better. “Collage of a Borough” would not give prospective visitors any more information about our exhibit than “Inventing Brooklyn” gives. We needed a more descriptive subtitle. Professor Wilder gave us the idea of somehow including “People” in the title; after all, it’s the people of Brooklyn who make it so special, right? After a few days of back-and-forth, and quite a few word changes, order shifts and punctuation doubts, we finally landed on “Inventing Brooklyn: People, Places, Progress.” And we couldn’t be happier.

I hope you enjoyed reading my snapshot on this year’s Ex Lab. You can look forward to hearing the perspectives of other Ex Lab students in the weeks that follow. I can’t wait to see you on June 2nd, when our exhibit officially opens!

All photos in this post by Keiko Niwa.

Guide to African-American Archival Materials at Othmer Library

In February, I first posted a new document to Emma, Brooklyn Historical Society’s catablog: the Guide to African-American History Archival Material at the Othmer Library. You might be interested in knowing a little of the context for this Guide.

The Guide is an early outcome of the In Pursuit of Freedom project. Those readers who keep up on BHS’s many doings are already aware of the project. For those unfamiliar with it, In Pursuit is a multi-faceted public history project memorializing the history of abolitionism, anti-slavery and the Underground Railroad in Brooklyn. It aims to provide new resources for understanding Brooklyn’s leading role in the abolitionist movement, including exhibitions, a website, walking tours, an original theater piece, and an educational curriculum, just to name some goals. An especially distinctive aspect of In Pursuit is that it is not centered in any one institution, but is a partnership among three Brooklyn cultural institutions: Brooklyn Historical Society, Irondale Ensemble Project, and Weeksville Heritage Center. You can take a look at a past PRESS RELEASE for more information about the project and the partnership.

As the Project Archivist based in BHS’s Othmer Library for In Pursuit, an important role of mine has been to help the project team identify and work with relevant documents from BHS’s collections. Yet while that supports the immediate short-term needs of project research, it does little to support those future users of BHS’s collections that are inspired by In Pursuit to pursue additional lines of inquiry. Accordingly, my second role on the project has been to process and describe archival collections to a degree sufficient to allow both project and public discovery of archival material related to In Pursuit and the lines of research in African-American history encouraged by In Pursuit. These lines of inquiry might begin with In Pursuit’s core concern with abolition and anti-slavery in nineteenth century Brooklyn, but they might easily extend into other facets of African-Americans’ pursuit of freedom and equality over the 400 year history of Brooklyn, New York City, and Long Island.

It is in this context that the Guide to African-American Archival Materials at Othmer Library, which covers all periods of “greater Brooklyn’s” history, was compiled. Following a standard format used at BHS for other subject guides, the African-American history guide provides one means for the In Pursuit project staff to navigate BHS’s vast holdings to find potentially useful source material. And beyond the project, the Guide can be immensely helpful to BHS staff and patrons in efficiently identifying potentially useful collections on the subject, without the ongoing mediation of a project archivist or other specialized staff.

The Guide was developed by drawing on existing documentation and some surveying of the collections themselves. As work with the collections continues over time across all projects in Othmer Library, updates to the Guide are likely. In fact, since I’m blogging about the Guide today, it also seemed like a good time to post the current update.

And while I am making changes and providing context, I will also point out a change in Emma as it relates to Subject Guides. Until today, Subject Guides (of which the African-American history guide was the first) were included in the catablog, which generally includes descriptions of individual collections. But as a way of better highlighting the Subject Guides as roadmaps across collections, starting today the guides are now found on their own pages within Emma. You can go to the Subject Guide HOME PAGE for more information. Happy Researching!

Brooklyn History Photo of the Week: Harry Kalmus

Harry Kalmus self-portrait, circa 1950, V1991.11.77.8; Harry Kalmus papers and photographs, ARC.046; Brooklyn Historical Society.

Harry Kalmus self-portrait, circa 1950, V1991.11.77.8; Harry Kalmus papers and photographs, ARC.046; Brooklyn Historical Society.

Harry Kalmus (1924-1987) was born and raised in the Brooklyn neighborhood of East New York. After serving in World War II, he returned to Brooklyn and began his career as a commercial photographer. In addition to contract work for businesses and ad agencies, Kalmus photographed weddings, bar mitzvahs, and family portraits. Kalmus’s photographs offer unique documentation of Jewish traditions in Brooklyn during the 1940s and 1950s. The Harry Kalmus papers and photographs contain more than 10,000 negatives, prints, and slides, many of which are digitized and available in the BHS Othmer Library image database.

Are You Related to Royals?

The Afianced

William & Kate

I’m totally excited for the Royal Wedding.  And despite being a Revolutionary War buff, I plan to be among the 1-2 billion people across the globe who will happily tune in to watch on April 29th.

To prepare for the wedding, I’m excited to attend a talk given by Pearl Duncan here at the Brooklyn Historical Society on Wednesday, April 27th at 7pm.  Pearl Duncan will describe how she used family nicknames and oral history to begin tracing her ancestry from the U.S. and Jamaica to the Akan people of Ghana and Scottish nobles related to royals.

It’s a great genealogical Golden_Krust_1239736941journey!

Pearl will play with ideas of mixed marriage: interracial ancestry and William and Kate’s Royal + “commoner” marriage.  And there will be free food provided by Golden Krust Caribbean Bakery!

This is the first program in a new series Crossing Borders, Bridging Generations, a series of public conversations about mixed-heritage families, race, ethnicity, culture, and identity, infused with historical perspective.

Thanks to funding provided by New York Council for the Humanities and the National Endowment for the Humanities!

The New York Times featured this event on Friday, April 22!  Also here.

Join us post-wedding on April 30th to hear Suleiman Osman talk about his great new book The Invention of Brownstone Brooklyn: Gentrification and the Search for Authenticity in Postwar Brooklyn.

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