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February, 2012

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Brooklyn History Photo of the Week: Miss Mary E. Ingalls

Miss Mary E. Ingalls, L.I.H.S. Museum attendant, ca.1912, v1972.1.1057; Early Brooklyn and Long Island photograph collection, ARC.201; Brooklyn Historical Society.

The woman pictured in this early twentieth-century photograph is staffing the museum gallery desk of what was then called the Long Island Historical Society. Much has changed since Miss Ingalls’s day: the Long Island Historical Society is now Brooklyn Historical Society, the building’s museum space looks very different, and the popular style of dress has relaxed a bit. Yet Brooklyn Historical Society still maintains a legacy of creative and engaging public exhibitions. Today, BHS visitors can explore such exhibits like Context\Contrast, which examines new architecture in New York’s historic districts, and Inventing Brooklyn: People, Places, Progress, a student-curated exhibit that traces the evolution of Brooklyn into the place we know today. Ms. Ingalls, no doubt, would approve.

Interested in seeing more photos from BHS’s collection? Visit our online image gallery, which includes a selection of our images. To search our entire collection of images visit BHS’s Othmer Library Wed-Fri, 1:00-5:00 p.m.

“Young Curators” at P.S. 276 Dig Into Canarsie’s History

This spring, students from P.S. 276 are working with Educator Emily Gallagher to uncover the history of their neighborhood, Canarsie, through BHS’s after-school program “Young Curators.” This program is made possible by a Cultural After-School Adventures (CASA) grant from City Council Member Lewis Fidler.  I’m very pleased to introduce our guest blogger, Emily, and her experience working with her great team of “young curators.” 

BHS Educator and today's guest blogger, Emily Gallagher

As a Brooklyn Historical Society educator, I’m honored to work with third and fifth graders at P.S. 276 in Canarsie as part of the “Young Curators” after-school program. Each week, we delve into a new aspect of Canarsie’s history and, eventually, we’ll tell the story of Canarsie’s past in our own voice as part of a museum quality installation at P.S. 276.  As a museum educator, I’ve often felt exhilarated after exposing young people to the multiple perspectives of history but, through ”Young Curators,” I’m getting an extra thrill — the thrill of watching very smart, capable children become even more emboldened and impassioned about where they live, who they are, and how they fit into the narrative of our community.

I applied for this position because I was especially inspired by on the program’s focus on local history.  So few of us, as children or adults, have a real connection to the amazing events and experiences that happened in our own buildings and on our own blocks.  I really feel that a more tangible connection to that specific past helps build a better neighbor and a better citizen.  Caring about our neighborhoods’ histories and how they fit into Brooklyn and even broader communities beyond Brooklyn is a direct pipeline to caring about our neighborhoods in the present and in the future.

P.S. 276 "Young Curators" check out a historic atlas of their neighborhood.

During our first “Young Curators” class, I asked the students what came to mind when they thought about their neighborhood of Canarsie in the past.  We quickly realized that even though they spend every day immersed in their community, they were much more familiar with New York City and United States history as a whole.  We had a difficult time pin-pointing the important spots in their neighborhood, or important people in their neighborhood’s past.  Using resources from  Brooklyn Historical Society’s library, we were able to dig in directly.  The students have already examined maps, photographs, and documents in order to uncover their neighborhood’s past.

Flash forward a month into our investigation, and my students are asking very pointed questions.  Instead of referring to “the Native Americans,” they speak with authority about the Canarsee Indians for whom the neighborhood is named. Instead of guessing that the Dutch lived here, they can tell you exactly what the Wyckoff family would be eating in Nieuw Amersfoort, and one student even tears up when thinking about what happened to the oyster beds that used to pepper Jamaica Bay along the waterfront of Canarsie.

The "Young Curators" team during their visit to BHS.

Walking down Flatlands Avenue no longer means dodging cars and looking for the bus stop, but it instead means imagining a different time and a different kind of Brooklyn– and hopefully helps these children, who no doubt have an important role to play in Brooklyn’s future, feel more excited about the role they’ll make for themselves in it.

Brooklyn’s secret garden?

I love learning about Brooklyn through the BHS Map Collection. Looking at early 19th century maps reveals a very different landscape from our modern Brooklyn, one filled with farms and streets that have long since disappeared. My favorite discovery from this period is Brooklyn’s first botanic garden, which was located at the junction of the Jamaica and Flatbush Turnpikes,  in what is now the Fort Greene/Prospect Heights area. The garden was created by Andre Parmentier in 1825 and consisted of twenty-four acres, featuring fruit trees and bushes, flowers, and other plants.

The following map shows the layout of Parmentier’s Garden ca. 1825.

Map of Mr. Andrew Parmentier's Horticultural & Botanical Garden, at Brooklyn, Long Island, two miles from the city of New-York, containing 24 acres. ca. 1825. Brooklyn Historical Society Map Collection.

Detail from the map shows the various types of fruits in the garden, from quinces to gooseberries. Parmentier’s skill was well-known in the field of horticulture, and he published a catalog of his garden in 1828. As a writer from the New England Farmer stated, “The landscape garden of Mr. Parmentier, in the town of Brooklyn, was full of all promise that taste and skill, enterprise and enthusiasm, could bestow.”

Map of Mr. Andrew Parmentier's Horticultural & Botanical Garden, at Brooklyn, Long Island, two miles from the city of New-York, containing 24 acres. ca. 1825. Brooklyn Historical Society Map Collection.

Parmentier’s Garden is also featured on more general maps of Brooklyn and New York City. This can be interpreted in different ways; one one hand, it may suggest that the garden was a well-known attraction whose fame warranted including it on the map, or it may be that Parmentier (or an associate) paid the mapmakers to include the garden on the maps as a form of advertising.

First, an example from 1827:

Detail from: Hooker's map of the village of Brooklyn in the year 1827. 1861. Brooklyn Historical Society Map Collection.

Followed by an example from 1828:

Detail from: Map of the country thirty miles round the City of New York. John H. Eddy. 1828.Brooklyn Historical Society Map Collection.

And finally, an example from 1834:

Map of Brooklyn, Kings County, Long Island : from an entire new survey. Alexander Martin. 1834. Brooklyn Historical Society Map Collection.

In 1830, Parmentier died, and the garden closed. Although the New York Horticultural Society attempted to purchase the garden’s lease, they were unsuccessful and the property was divided into lots and sold at auction. Below are two auction maps featuring the property.

Map of Parmentier's Garden, Brooklyn, to be sold at auction on Wednesday, Novr. 13th, 1833, at 12 o'clock at the Merchant's Exchange by Pine & Van Antwerp. Prosper Desobry. 1833. Brooklyn Historical Society Map Collection.

Map of the ground formerly Parmentier's Garden in the 9th Ward of the city of Brooklyn. Prosper Desobry. ca. 1840. Brooklyn Historical Society Map Collection.

As the writer from the New England Farmer lamented in 1834, “Let death but hurl another dart, and the Parmentier garden may sink into pristine insignificance — the place of the rose, the olive, and the grape, be usurped by the thistle.” Thankfully, Parmentier’s Garden lives on in historical documents like BHS’ maps, as well as a plaque honoring Parmentier at the Brooklyn Botanic Garden.

Brooklyn History Photo of the Week: Flatbush Toll Booth

Flatbush Toll Booth, ca.1890, v1973.4.645; Postcard Collection, v1973.4; Brooklyn Historical Society.

This photograph features a toll booth that stood on Flatbush Avenue between Fenimore Street and Winthrop Street in what is now Prospect Lefferts Gardens. Built in the 1850s by the Brooklyn, Flatbush, and Jamaica Plank Road Company, the booth was used to collect tolls on Old Flatbush Turnpike, one of the main thoroughfares connecting the town of Flatbush to the city of Brooklyn. The road’s plank surface made it easier for wagons and carriages to travel on the dirt road. When the road company went out of business in 1893, the booth was gifted to John Moore, the last Flatbush Road Commissioner, who placed it in his backyard in East Flatbush. Today, the booth stands in Prospect Park, near the Lefferts Historic House and the carousel.

Among the major investors in the Plank Road were members of the Lefferts family. You can learn more about them and their role in developing the town of Flatbush from An American Family Grows in Brooklyn, BHS’s new digital exhibit.

Interested in seeing more photos from BHS’s collection? Visit our online image gallery, which includes a selection of our images. To search our entire collection of images visit BHS’s Othmer Library Wed-Fri, 1:00-5:00 p.m.

Emma Toedteberg Bookplate Collection, 1701-1982 (2012.004)

To view the Emma Toedteberg Bookplate collection finding aid click here.  If you would like to view any materials from this collection please email library reference to schedule an appointment.

I’m stingy grown
What’s mine’s my own
-motto, unknown bookplate.

A bookplate is a label pasted to the inside cover of a book that indicates ownership in a personal or institutional library collection.

Edwin Lewton Penny bookplate; Non-Illustrated Bookplates, Emma Toedteberg Bookplate collection, 2012.004; Brooklyn Historical Society.

Employees' Library bookplate; Institutional Bookplates, Emma Toedteberg Bookplate collection, 2012.004; Brooklyn Historical Society.

Emma Toedteberg, librarian at the Long Island Historical Society from 1889 to 1936, was a devout collector of bookplates, also known as “ex libris.”  It was a passion inspired by her father, Augustus Toedteberg, a prolific Brooklyn illustrator noted for theater portraits and dramatic scenes. Toedteberg illustrated a 54 volume Records of the Stage, and was known as “Dean of the Corps” among book and print collectors of the American theater, which included over one thousand rare playbills.

Emma Toedteberg bookplate; Non-Illustrated Bookplates, Emma Toedteberg bookplate collection, 2012.004; Brooklyn Historical Society.

Augustus Toedteberg bookplate; Illustrated Bookplates, Emma Toedteberg Bookplate collection, 2012.004; Brooklyn Historical Society.

Augustus Toedteberg bookplate; Illustrated Bookplates, Emma Toedteberg Bookplate collection, 2012.004; Brooklyn Historical Society.

Emma expanded her father’s collection of bookplates to number over 7,000 and housed the collection in a “massive oaken cabinet… almost six feet in height” with “forty-four glass-topped drawers” filed with “neat piles of bookplates.” The cabinet stood behind the reference desk “in what used to be called the ‘Ladies Parlor,’” where Emma held court with her assistants, Miss Prentice and Miss Tuttle. (North, Edgerton G., “The Society’s Bookplates” (1964) The Century Book, LIHS, chap. 4).  The collection was later added to by Harriet Stryker-Rodda, librarian at the Society in the 1960s who published guides to genealogical research, Brooklyn church records and colonial handwriting.

The art and industry of bookplates originated with the first printing of books in Germany in the mid-15th century.  Some of the earliest bookplates in the United States appeared in the personal libraries of Southern royalists known as the “Virginia Cavaliers,” and showed the influence and patterns of English heraldry (The Curio, “American Book-Plates and their Engravers”). Yet, says bookplate writer Theodore Wesley Koch, a Dante scholar who worked at the Library of Congress at the turn of the century, “armorial plates are in questionable taste for most American families.”  Still, Paul Revere, the New England horseback rabble-rouser against British occupation, made a living as a copperplate printer and engraved colonial bookplates in the Tory tradition:

Gardiner Chandler bookplate, by Paul Revere; Illustrated Bookplates; Emma Toedteberg Bookplate collection, 2012.004; Brooklyn Historical Society.

Paul Revere bookplate; Illustrated Bookplates, Emma Toedteberg Bookplate collection, 2012.004; Brooklyn Historical Society.

Some bookplates forgo the intricacies of history and symbols, like the ex libris of Colonel Alden Spooner, a printer who in 1811 founded the Long Island Star, which acted as the official paper for three counties, Kings, Queens and Suffolk.

Alden Spooner bookplate; American Bookplates, Emma Toedteberg Bookplate collection, 2012.004; Brooklyn Historical Society.

The personal bookplate of Emma Toedteberg was engraved by Edwin Davis French (1851-1906), who studied at the Art Students’ League and served a stint as the League’s President. French engraved and designed over 200 bookplates for esteemed collectors and institutions, and designed plates for his personal collection of international language books, with an emphasis on Volapuk, a constructed language devised in 1879 by Johann Martin Schleyer, a German priest.

Edwin D. French bookplate; Engravers of Bookplates, Emma Toedteberg Bookplate collection, 2012.004; Brooklyn Historical Society.

Bookplates by French:

Long Island Historical Society - Storrs Memorial Fund bookplate; Engravers of Bookplates, Emma Toedteberg Bookplate collection, 2012.004; Brooklyn Historical Society.

Edwin D. French bookplate; Engravers of Bookplates, Emma Toedteberg Bookplate collection, 2012.004; Brooklyn Historical Society.

Lucy Wharton Drexell bookplate; Engravers of Bookplates, Emma Toedteberg Bookplate collection, 2012.004; Brooklyn Historical Society.

By Edwin D. French bookplate; Engravers of Bookplates, Emma Toedteberg Bookplate collection, 2012.004; Brooklyn Historical Society.

In the Ladies Parlor, Emma also collected a rich selection of bookplates owned by women:

Euphenia Davidson bookplate; Ladies' Bookplates, Emma Toedteberg Bookplate collection, 2012.004; Brooklyn Historical Society.

Caroline Monk bookplate; Ladies' Bookplates, Emma Toedteberg Bookplate collection, 2012.004; Brooklyn Historical Society.

Sonia Anne Clifford bookplate; Ladies' Bookplates, Emma Toedteberg Bookplate collection, 2012.004; Brooklyn Historical Society.

Jeanette Latou Dickinson bookplate; Ladies' Bookplates, Emma Toedteberg Bookplate collection, 2012.004; Brooklyn Historical Society.

Often the bookplate shared by a married couple is filed under the lady’s name:

Theo & Bertha Obermeyer bookplate; Ladies' Bookplates, Emma Toedteberg Bookplate collection, 2012.004; Brooklyn Historical Society.

Bookplate collecting veered between a study and a hobby. Bookplates were sold at auction like paintings and acquired by institutions such as the British Museum, with a collection of over 35,000 plates. At its least artful the bookplate was a name-tag: “Many estimable people find a difficulty in distinguishing between mine and thine in books as well as in umbrellas” (Koch, “A Defense of Bookplates,” 1915). The literature of bookplates at the turn of the century is often persnickety and highfalutin. “A taste in books may be easily whitewashed,” says Temple Scott, a Gilded Age editor and bibliographer, “but a taste in a book-plate flares its owner’s heart right into the eyes of the demurest damsel or the simplest swain.”  The bookplate owner is sworn to protect the virtue of the book: “He who could find it in his heart to write on title-pages could surely commit a murder.”

Tis meat and drink to me to see a fool.”
-motto, bookplate of Mrs. St. Leger Harrison.

The index to the Emma bookplates lists many bookplate owners as bankers, statesmen, actors, lawyers, “capitalists,” and one “gem expert.”  The art and collecting of bookplates was chiefly an upper-middle class practice. In the indexes, one does not find bakers, dock workers, or sandhogs.  As Temple Scott again chimes in, “the average mortal of this work-a-day world and age has not the means wherewith to acquire such treasures of the bibliophile. Nor, perhaps, has he the pedigree with which to adorn them.”  Temple Scott managed John Lane publishing house on Fifth Avenue, and in 1902 was accused of stealing $7,000 from the company- perhaps “means wherewith to acquire such treasures of the bibliophile.”

Koch, T.W. "A Defense of Bookplates" (1915) Some American College Bookplates, ed. Ward, H.P.

The oldest institutional plate in the Emma collection dates to 1759, for the Albany Society Library of colonial New York:

Albany Society Library bookplate; Institutional Bookplates, Emma Toedteberg Bookplate collection, 2012.004; Brooklyn Historical Society.

Among the oldest undated is the bookplate of Gilbert Burnet, Bishop of Salisbury (1643-1715), which features the Virgin Mother & Son of God, and a hunting horn:

Bishop Burnet bookplate; Illustrated Bookpaltes, Emma Toedteberg Bookplate collection, 2012.004; Brooklyn Historical Society.

Bishop Burnet bookplate; Illustrated Bookplates, Emma Toedteberg Bookplate collection, 2012.004; Brooklyn Historical Society.

William Gifford Palgrave (1826-1888), a Jesuit spy in Syria and government agent in Abyssinia:

William Gifford Palgrave bookplate; Illustrated Bookplates, Emma Toedteberg Bookplate collection, 2012.004; Brooklyn Historical Society.

William Gifford Palgrave bookplate; Illustrated Bookplates, Emma Toedteberg Bookplate collection, 2012.004; Brooklyn Historical Society.

Captain Inglefield, who in 1782 perished in the wreck of His Majesty’s ship, The Centaur:

Captain Inglefield bookplate; Illustrated Bookplates, Emma Toedteberg Bookplate collection, 2012.004; Brooklyn Historical Society.

Lord Byron, the Romantic poet, who Augustus Toedteberg admired and kept a scrapbook devoted to:

Lord Byron bookplate; Illustrated Bookplates, Emma Toedteberg Bookplate collection, 2012.004; Brooklyn Historical Society.

Lord Byron bookplate; Illustrated Bookplates, Emma Toedteberg Bookplate collection, 2012.004; Brooklyn Historical Society.

Marie Antoinette:

Marie Antoinette bookplate; Illustrated Bookplates, Emma Toedteberg Bookplate collection, 2012.004; Brooklyn Historical Society.

Marie Antoinette bookplate; Illustrated Bookplates, Emma Toedteberg Bookplate collection, 2012.004; Brooklyn Historical Society.

Jack & Charmian London:

Jack London bookplate; Illustrated Bookplates, Emma Toedteberg Bookplate collection, 2012.004; Brooklyn Historical Society.

Charmian London bookplate; Illustrated Bookplates, Emma Toedteberg Bookplate collection, 2012.004; Brooklyn Historical Society.

Jack & Charmian London bookplate; Illustrated Bookplates, Emma Toedteberg Bookplate collection, 2012.004; Brooklyn Historical Society.

The Lotos Club:

Lotos Club bookplate; Institutional Bookplates, Emma Toedteberg Bookplate collection, 2012.004; Brooklyn Historical Society.

Lotos Club bookplate; Institutional Bookplates, Emma Toedteberg Bookplate collection, 2012.004; Brooklyn Historical Society.

The bookplate of John Jacob Raskob, a vice president of General Motors, chairman of the Democratic National Committee in the 1920s, and the man behind the money that built the Empire State Building – in 1929 Raskob wrote an article for Ladies Home Journal called “Everybody Ought to be Rich“:

John Jacob Raskob bookplate; Illustrated Bookplates; Emma Toedteberg bookplate collection, 2012.004; Brooklyn Historical Society.

John Jacob Raskob bookplate; Illustrated Bookplates, Emma Toedteberg Bookplate collection, 2012.004; Brooklyn Historical Society.

Francis Wilson bookplate; Emma Toedteberg Bookplate collection, 2012.004; Brooklyn Historical Society.

Henry Stacy Marks bookplate; Illustrated Bookplates, Emma Toedteberg Bookplate collection, 2012.004; Brooklyn Historical Society.

Richard Southcote Millsergh bookplate; Emma Toedteberg Bookplate collection, 2012.004; Brooklyn Historical Society.

Frederick Starr bookplate; Illustrated Bookplates, Emma Toedteberg Bookplate collection, 2012.004; Brooklyn Historical Society.

Frederick Starr bookplate; Illustrated Bookplates, Emma Toedteberg Bookplate collection, 2012.004; Brooklyn Historical Society.

Frederick Starr bookplate; Illustrated Bookplates, Emma Toedteberg Bookplate collection, 2012.004; Brooklyn Historical Society.

Frederick Starr bookplate; Illustrated Bookplates, Emma Toedteberg Bookplate collection, 2012.004; Brooklyn Historical Society.

A bookplate might mark the gift to a library collection:

Newark Public Library bookplate; Institutional Bookplates, Emma Toedteberg Bookplate collection, 2012.004; Brooklyn Historical Society.

The American Merchant Marine Library Association gift bookplate; Institutional Bookplates, Emma Toedteberg Bookplate collection, 2012.004; Brooklyn Historical Society.

American Seamen's Friend Society bookplate; Institutional Bookplates, Emma Toedteberg Bookplate collection, 2012.004; Brooklyn Historical Society.

Emma’s collection also includes boxes of plates by individual engravers.  John Evans (1855-1943) was an award-winning artist and wood-cut engraver from Brooklyn. A distinguished Freemason, Evans provided illustrations for turn of the century weekly magazines, and was noted as the last of a generation of flourishing woodcut artists from the late nineteenth century.  Evans’ portrait shows the apparatus used for his art.

John Evans, The Century Book, Long Island Historical Society, 1964 (Reference F116.L66 C46 1964).

Paradise bookplate; Engravers of Bookplates, Emma Toedteberg Bookplate collection, 2012.004; Brooklyn Historical Society.

A hoary romance:

The Bookplate Booklet (May 1919) ed. by Fowler, Alfred, Kansas City, MO.

Bookplate Resources:

*A good lively blog.
*Book and print history at The Private Library.
*The American Society of Bookplate Collectors & Designers
*Story about a Smithsonian curator and bookplate scholar.
*Bibliographical Society of the University of Virginia
*Society for the History of Authorship, Reading and Publishing
*The Bookplate Society