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November, 2012

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Photo of the Week: A Sandy Plumb

Though I have lived in New York City for 12 years, it took me a while to realize that this city is not exclusively a dominant fortress of pavement and hi-rise buildings.  I knew as most others do about Coney Island, Brighton Beach, Staten Island – the biggies – and rightfully so.  But there are little swathes of land that a lot of people speed by on the way to JFK that have a long and often lovely history that get lost. Plumb Island, now known as Plumb Beach, is one such place.

This past summer, I took a staycation in Brooklyn that included a bike ride to the beaches of Fort Tilden every other day.  The ride was approximately 11 miles each way and took anywhere from one to one-and-a-half hours depending on my blood sugar level, caffeine consumption, and extent of beach gear attached to my bicycle.  Inevitably, I would stop at Plumb Beach and therefore became relatively familiar with it.  I say inevitably, but I had to stop because the bike path was already collapsing a bit into the sand.  So, I walked a bit, then refilled my water bottle, and perhaps ate half a sandwich and shared the other half with the strange population of cats who lived in the grassy area near the picnic tables.  This is the Plumb Beach I know.  But its history includes not only being a site for mortar fortification, a beach resort, an army base, but  also a colony of bungalows inhabited by squatters whose only access to the mainland of Sheepshead Bay was by ferry.  There were no utilities available in this beach colony until 1939 when the Belt Parkway was installed.

Eastern end of Emmons Avenue at Plum Beach, 1923, v1974.1.1026; Eugene L. Armbruster photographs and scrapbooks, v1974.01; Brooklyn Historical Society.

Two Weeks on Plum Island, ca. 1900, v1984.1.213; Brooklyn Slide collection, v1984.01; Brooklyn Historical Society.

Three women at the beach, ca.1978, v2008.013.21; Lucille Fornasieri-Gold photographs, 2008.013; Brooklyn Historical Society.

Twins with Doberman, ca.1975, v2008.013.67; Lucille Fornasieri-Gold photographs, 2008.013; Brooklyn Historical Society.

Plumb Beach became a lovely spot for many people over the years.  Unfortunately, on my last ride from the Rockaways toward central Brooklyn, I couldn’t find anything that reminded me of the Plumb Beach I stopped for respite, refueling,  parasail watching, or in the historic photographs.  The parking lot, wading area, everything is covered in sand.

@ginjula Attn #bikenyc, if you go to #Queens, do not take the #PlumbBeach rte to Marine bridge–it’s fenced off. #destroyedpic.twitter.com/RLxyQNiO

@ginjula #PlumbBeach following #sandy is impassable, covered in sand, pretty bad. #BrooklynPhotos pic.twitter.com/GfovHE1A

I’m sure we’ll find a number of paths missing and we’ll have to create new memories of new places or places that look different.  However, I do hope to see Plumb Beach again on a bike rather than speeding by toward the airport.

As the recovery from Sandy progresses, Brooklyn will recover and reinvent itself once again and Brooklyn Historical Society (BHS) is committed to documenting this process. We are now inviting YOU to join us! The beginnings can be viewed online, at our Storify page and by reading the letter outlining the experience from the Director of Library & Archives on our blog. Your participation is greatly encouraged to point us to the important stories, memorable photographs, and wonderful people and organizations that have made a difference. Please post comments on our blog, through our Facebook page, tweet @brooklyhistory, or email library@brooklynhistory.org.

Also, if you are interested in seeing more photographs from BHS’s collection? We invite you to visit our online image gallery for a  selection of our images.  Or to -search our entire collection , visit BHS Othmer Library Wed-Fri 1:00-5:00 p.m.

 

 

Photo of the Week: Sunset Park Pays it Forward

While Hurricane Sandy’s gale forces downed trees and wreaked havoc on power and internet lines, the neighborhood did not see the extensive water damage that Red Hook, DUMBO, and the Rockaways did.

@udosero Photos were taken in the areas between 4th & 10th Ave and between 54th and 68th St. https://www.facebook.com/photo.php?fbid=437824276279897

@udosero Photos were taken in the areas between 4th & 10th Ave and between 54th and 68th St. https://www.facebook.com/photo.php?fbid=437824276279897

Sunset Park locals and even one Upper West Sider, ventured to Sunset Park to offer assistance.  St. Jacobi Church became a supply hub for Hurricane Sandy Victims.  Cars with at least a little gas lined up along 4th Avenue between 54th and 55th Streets and awaited a full trunk of supplies before driving out to The Rockaways, Coney Island, or Staten Island with food, clothing, and/or cleaning supplies for those in need.

@ginjula St. Jacobi Church in #SunsetPark where #occupysandy is a hub for volunteers. #BrooklynPhotos Organized & need help.pic.twitter.com/1sN3NEAs

@JoyceLeeAnn @brooklynhistory here is a photo from st. jacobi church. #sandypic.twitter.com/5959PR2G

Although we don’t have old photographs of St. Jacobi Church or its block, we do have many photographs of Sunset Park showing the remarkable change that’s occurred in the last century.  St. Jacobi Church is a multi-cultural Evangelical Lutheran church welcoming the many ethnic groups that have transformed the neighborhood.  The murky photographs below are from the end of the 19th centuryjust before the major residential development that would transform Sunset Park from farmland into the gridded blocks of row houses and brownstones that still exist in parts today.  Sunset Park, once the home of a thrivingScandinavian community, is today boasts some of the most diverse demographics in the borough.  Brooklyn’s Chinatown is located here, on 8th Avenue between 42nd and 68th streets, and continues to grow.

Old South Reformed Church, 3rd Avenue at 52nd Street, ca. 1875, V1972.1.397; Early Brooklyn and Long Island photograph collection, ARC.201; Brooklyn Historical Society.

Cortelyou House, Corner of 38th Street and 3rd Avenue, ca. 1880, V1972.1.843; Early Brooklyn and Long Island photograph collection, ARC.201; Brooklyn Historical Society.

986 3rd Avenue at 39th Street, John O’Rourke Carpenter Shop, 1886, V1972.1.844; Early Brooklyn and Long Island photograph collection, ARC.201; Brooklyn Historical Society.

Fourth Avenue looking east at 49th Street, 1941, V1976.1.23; Edward B. Watson photographs and prints collection, ARC.213; Brooklyn Historical Society.

View of north side of 59th Street. 1962, V1974.9.286; John D. Morrell photographs, ARC.005; Brooklyn Historical Society.

Thank you Sunset Park for helping those in need in the aftermath of Hurricane Sandy by offering your neighborhood as a hub for Occupy Sandy.

Everyone at Brooklyn Historical Society (BHS) is keenly aware of the wide impact that Sandy has had on Brooklyn and surrounding areas and we hope that services are reaching you and life is getting back to normal.

BHS is working on collecting information about Sandy and the effects of the storm on our borough to add to BHS’ collections. Over the next several weeks, PHOTO OF THE WEEK will document Sandy and its impact on Brooklyn. We encourage you to check out our Storify website, documenting our progress so far. Click here: Hurricane Sandy: Brooklyn Stories.

Interested in seeing more photographs from BHS’s collection? Visit our online image gallery which includes a selection of our images.  To search our entire collection of images, visit BHS Othmer Library Wed-Fri 1:00-5:00 p.m.

Teens Explore History & Innovation at the Navy Yard

Once again, I’m pleased to introduce a guest post by Fall Education Intern, Stephanie Krom.  Stephanie is a student in the NYU Archives and Public History MA program.  This semester in the Education Department, Stephanie has worked with K-12 students on school tours here at BHS and she has helped facilitate our brand new after school program that debuted at the Brooklyn Navy Yard Center at BLDG 92 this fall, “Teen Innovators.”  The teen innovators will show off their work at the culminating event tonight at BLDG 92, so check out Stephanie’s inside look at the work they have done along the way!

Fall 2012 Education Intern, Stephanie Krom

The Teen Innovators are a group of 9th graders from Benjamin Banneker High School who have been working in a six-week afterschool program at BLDG 92. The Teen Innovators program is designed to teach these students about the sustainability-centered businesses, careers, and culture at the Brooklyn Navy Yard. In my capacity as a graduate intern at Brooklyn Historical Society, I have aided the Teen Innovators’ Educators, Emily Potter-Ndiaye and Tracy Cook-Person, in a few sessions of the Teen Innovators program. Working with Teen Innovators was the first time I have really worked closely with high schoolers (I am most comfortable with elementary school students). Remembering myself in 9th grade, I was nervous about how to relate to students that age. To my pleasant surprise, I had no trouble relating to the Teen Innovators and immediately fell into conversation with them about my college application experience, how I made my career choice, and why I am interested in history.

In particular, I was impressed with the way the Teen Innovators consistently made connections to the “four themes” of their program – the concepts of economics and politics, sustainability, history, and demographics. These four themes were developed by the educators in conjunction with the Teen Innovators, based in part on the main ideas that came out of initial sessions with the Teen Innovators. The four themes, therefore, connect well to the Brooklyn Navy Yard curriculum but were also of some interest to the Teen Innovators before they began their lessons at BLDG 92.

Artist, welder, and Brooklyn Navy Yard tenant, Susan Woods, discusses her work with the Teen Innovators

On Tuesday, November 13, I went with the Teen Innovators to Aswoon Studio, artist and welder Susan Woods’ studio in Building 131 at the Brooklyn Navy Yard. Like so many of the businesses at the Navy Yard, Susan’s designs incorporate recycled materials and her entire business model is focused on sustainable, responsible design. The Teen Innovators were impressed by Susan’s studio and, after a short introduction to the space and to the company, immediately jumped in to ask Susan questions about her business. The Teen Innovators came to Aswoon equipped with a worksheet that encouraged them to connect the company’s work to the four themes of the program. The Teens’ questions were right on target. The students are particularly interested in sustainability, which was illustrated in the questions they asked Susan about where she sources her materials from, whether she re-uses materials from old projects, and whether her materials are local. The Teen Innovators were also interested to know whether Susan donates her art to good causes and gives back to the community. In addition, the Teen Innovators were quick to connect Susan’s company to the larger history of Brooklyn Navy Yard – they remembered the pictures they have seen of women during World War II coming to work at the Navy Yard wearing pants, some holding welding gear. As a successful female welder, Susan Woods is, in many ways, their modern-day counterpart in the Brooklyn Navy Yard.

In addition to the four themes, the Teen Innovators are very interested in careers and the process through which people make career choices. The Teens asked Susan, just as they ask every professional they meet through the program, about how she made the choice to pursue a career as an artist/welder. In particular, they are interested in whether the career people thought they would have when they were in high school is the same as the career they ended up having. Like Susan and many other professionals at the Brooklyn Navy Yard, these kids are dreaming big from a young age. If they continue the curiosity and excitement about learning that they have demonstrated during their time at BLDG 92, it seems that there is no reason all of the Teen Innovators can’t also become the owners of successful companies in the Brooklyn Navy Yard one day.

BLDG 92′s Teen Innovators

 

Photo of the Week: Red Hook beating Sandy back

Well, Red Hook was slammed by Hurricane Sandy.  There are several photographs on our Storify page documenting the high water line that submerged many businesses and homes along the waterfront.

@ginjula This is the collapsing waterfront by the Barge Museum. #RedHook #BrooklynPhotos @brooklynhistory pic.twitter.com/13Q77pAN

 

@leahloscut Still pumping water from 543 union street, the third day pumping #gowanus #sandy #brooklynphotos twitgoo.com/68xwdd

As with Coney Island, the Rockaways, and Staten Island, Red Hook has become a hub where donations from cleaning supplies to food to books and toys are being collected and distributed to the surrounding families and businesses in the flooded streets of the neighborhood and being sent to other parts of the city affected by the storm.

@leahloscut Red hook free store, open tmw from 10-4 at 59 Walcott st. They need toys and books! #sandy #redhook #brooklynphotos pic.twitter.com/WMUOS6ve

@nycservice [Photo] Our volunteers unloading food and water in Red Hook, Brooklyn. pic.twitter.com/z3aAGxBI

 Red Hook has played a central role in Brooklyn’s waterfront economy since the early nineteenth century.  It has also been a thriving working-class neighborhood for much of that time.  By the 1960s and 1970s, containerized shipping moved most commerce away from Red Hook to New Jersey, and the neighborhood’s industrial buildings crumbled with disrepair.  But in the following decades, the architecture and history of this post-industrial neighborhood captured the imaginations of artists, small business owners, and other creative and innovative people, who joined a diverse group of longtime Red Hook residents.

Atlantic Dock by A.R. Young, ca. 1878, v1972.1.496; Early Brooklyn and Long Island photograph collection, ARC.201; Brooklyn Historical Society.

 

Club house at the foot of Court Street by A.R. Young, ca. 1878, v1972.1.498; Early Brooklyn and Long Island photograph collection, ARC.201; Brooklyn Historical Society.

South Brooklyn by A.R. Young, 1877, v1972.1.838; Early Brooklyn and Long Island photograph collection, ARC.201; Brooklyn Historical Society.

 

 

 

 

Northwest corner of Wolcott Street, 1959, v1974.4.1248; John D. Morrell photographs, ARC.005; Brooklyn Historical Society.

 

 

H. & L. Co. 101 – Engine 202, 1959, v1974.4.1256; John D. Morrell photographs, ARC.005; Brooklyn Historical Society.

It seems inevitable that Red Hook’s community will return with the same combination of industry and inventiveness it has nurtured for many years.  To see more old photographs of Red Hook, visit our online gallery, or add more post-Sandy photographs to our Hurricane Sandy: Brooklyn Stories page.  To continue with Sandy relief efforts, look to twitter and Red Hook Initiative.

Everyone at Brooklyn Historical Society (BHS) is keenly aware of the wide impact that Sandy has had on Brooklyn and surrounding areas and we hope that services are reaching you and life is getting back to normal.

BHS is working on collecting information about Sandy and the effects of the storm on our borough to add to BHS’ collections. Over the next several weeks, PHOTO OF THE WEEK will document Sandy and its impact on Brooklyn. We encourage you to check out our Storify website, documenting our progress so far. Click here: Hurricane Sandy: Brooklyn Stories.

Interested in seeing more photographs from BHS’s collection? Visit our online image gallery which includes a selection of our images.  To search our entire collection of images, visit BHS Othmer Library Wed-Fri 1:00-5:00 p.m.

Documenting Sandy, From the Director of Library & Archives

I moved back to Brooklyn in April to join the staff of the Brooklyn Historical Society as the Director of Library and Archives. Over the last few months, I have met many people with a stake in Brooklyn and the work that Brooklyn Historical Society does for the borough, supporters who have asked me a lot of insightful questions about our plans for the Othmer Library. In the last few weeks, the question of what we do as a library and archives has taken on an added urgency.

One of the essential jobs of libraries, archives, and museums is to help communities remember, and disasters are important points of remembrance. They shape our individual lives, our communities, and our public policy. Brooklyn Historical Society is committed to documenting the ways that Brooklyn prepared for Sandy and weathered the storm, and to document the whole course of the recovery.

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