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Brooklyn Past & Present

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Gentrification in Fort Greene

Check out Story #1 on this City of Memory tour!

You’ll find a painting by Nina Talbot and oral history interview from the Weeksville Heritage Center’s collections which are both featured in BHS’ upcoming exhibit Painting Brooklyn Stories of Immigration and Survival which opens here Thursday, September 16.

Curated by Nina Talbot, painter, in collaboration with Rachel
Bernstein, public historian at New York University, the exhibit
presents striking stories of Brooklyn residents through paintings, oral
histories, poetry and personal effects. These different modes of
expression offer multiple perspectives on this complex issue.

Visitors to the exhibit meet a range of people, including an Iranian
Jew with a jewelry shop in Newkirk Plaza; a Tuskegee Airman originally from the Caribbean whose mother worked as a servant for a family on Rugby Road; a phlebotomist from Dhaka, Bangladesh who lives in Midwood; a writer from Haiti with violent memories of the tonton macoute, now living peacefully in East Flatbush; a musician from Park Slope whose 96 year old mother remembers arriving in
New York from Hangzhou, China in 1938; a Pakistani Muslim woman living in West Midwood; and a woman who survived the Mauthausen concentration camp now living in Borough Park.

The exhibition features audio from oral history interviews with individuals in the paintings. Poet Esther Cohen has written poems based on the individual narratives that inspired the paintings. These elements, combined with photos, student interpretations, and objects add depth to the lessons these individual lives can teach about struggle, survival, success and heroism.

UPDATE:

You can read more about Painting Brooklyn Stories and Nina Talbot in The Daily News (8/30/2010).

Was it standard to have gun racks in libraries in 1959?

Ever since Chela mentioned offhand at lunch the other day that the BHS library had once had gun racks, my imagination was captured. I once helped move insanely heavy boxes of muskets in our storage and wondered where and when they’d been on exhibit.

Well, thanks to the “Random Images” button in our online photo search of the John D. Morrell collection, an image popped up which quelled my curiosity.

BHS (f.k.a. Long Island Historical Society) Library

Gun Rack in the BHS (f.k.a. Long Island Historical Society) Library

I highly recommend searching around in those photos. There are some real gems! Here are a couple more photos apparently taken on the same day in November, 1959:

Guy’s Painting of Brooklyn at Long Island Historical Society.

Francis Guy’s Painting of Brooklyn at Long Island Historical Society."

Old director’s room, Long Island Historical Society.

Old director’s room, Long Island Historical Society.

Dr. Bob (In Memory of Bob Vadheim)

Napkins hand-printed in letterpress by Bob Vadheim for BHS

Napkins hand-printed in letterpress by Bob Vadheim for BHS

I also felt compelled to write upon the news of
Dr. Bob Vadheim’s passing.

Dr. Bob was a fascinating, witty and generous man. I enjoyed visits with him at his magnificent home on Willow St.

Dr. Bob was very proud – and BHS is very grateful – that he provided funding to install the clock mechanism on our clock tower so that it would be a properly working timepiece. He also printed letterpress napkins with a Brooklyn design on them – each by hand – which he donated to BHS so that we could sell them and benefit from the proceeds. These were delightful and personal contributions that Dr. Vadheim made to this organization.

I know that he was also proud of restoring a stained glass window at our neighboring St. Ann’s Church and the organ at the Brooklyn Paramount.

Dr. Bob always had a glint in his eye. He will be missed. His generosity in the Brooklyn community remains.

Bob Vadheim, 1920-2010

Dr. Robert H. Vadheim, preservationist, music lover, and longtime friend of BHS passed away on July 16 at 90 years old.  I interviewed Bob at his home in Brooklyn Heights in 2008 for the BHS Oral History collection and remember feeling so inspired as he talked about Robert Johnson, his partner of 43 years, and the wonderful music salons they would hold in their home.  Over tea after the interview, Bob and I got to talking about all kinds of things, favorite songs (Someone to Watch Over Me), movies (I had just discovered William Powell) and what life was like for a gay man in the 1950s.  He told me how moved he was to read a love story about gay men in The New Yorker in 1997 – Annie Proulx’s short story “Brokeback Mountain” which was turned into an Academy Award winning film in 2005.  We listened to a recording of the Mighty Wurlitzer organ in the Brooklyn Paramount Theater, now owned by Long Island University, that Bob helped to restore – and where he had just celebrated his 88th birthday.

Obituary, Brooklyn Daily Eagle

Whitney Museum: History Plays at BHS

This summer, Whitney Museum Artist-in-Residence, Colin Gee, filmed a series of History Plays in response to works in the Whitney’s permanent collection.  Three pieces, In Transit, What, and Lobby, were filmed here at BHS.

Here’s Lobby, which is a response to Eva Hesse’s Untitled (Rope Piece), 1969–70:

Home Base on NY1

Check out this NY1 video feature about Ebbets Field and the BHS exhibition Home Base – plus interviews with two Ex Lab students:

Borough reporter Jeanine Ramirez visits the former site of Ebbets Field where its legacy continues to make its presence known:

The housing complex on Bedford Avenue in Crown Heights looks similar to others in the city. But it’s no ordinary location. It’s the former site of Ebbets Field — the home of the Brooklyn Dodgers until 1957, the place where Jackie Robinson broke baseball’s color barrier and the site of numerous World Series showdowns.

Brooklyn Historian Ron Schweiger, whose basement is decorated with Brooklyn Dodgers memorabilia, was seven years old when he attended his first game in 1952.

“As I caught my first glimpse of the field, I stopped short and my father goes, ‘What’s the matter?’ And I pointed to the field and said, ‘The grass is green.’ And he said ‘What do you mean?’ And I said ‘On television, it’s black and white,’” says Schweiger.

The team, the field, and the fans are legendary. They’re the subjects of many books and films including a documentary called “The Dodgers Sym-Phony,” which focuses of the role of the fans, including the band that played at every game. The filmmaker talks about the mystique of the Dodgers.

“Ebbets Park was smaller so it was intimate. I think it leveled out some of the class differences a little bit. It was a working class team,” recalls “The Dodgers Sym-Phony” Director Pegi Vail.

Win or lose, fans affectionately called the team “Dem Bums.”

“Not only was it our team but many of the players lived here in Brooklyn,” says Schweiger.

The 18 foot 1955 championship banner that once hung at Ebbets Field is now displayed at the Brooklyn Historical Society. It’s part of a current exhibition called “Home Base,” featuring stadium seats, game tickets, a batting helmet and a map to Ebbets Field.

There are also oral histories from people sharing their memories of the Dodgers.

The exhibit, which opened last month, even features a section dedicated to Walter O’Malley — the owner who moved the team to Los Angeles.

Students who attend Brooklyn Tech High School even helped put the exhibit together.

“We were all really interested in the controversy because of Walter O’Malley and how he moved because that was something that a lot of people mentioned in the oral open calls. People were very passionate about that,” says Brooklyn Tech High School student Albina Reydman.

“When the Dodgers left, it was almost like a member of the family that had passed away,” recalls Schweiger.

The stadium, which came down in 1960, was eventually replaced with a high-rise apartment complex known as Ebbets Field Apartments.

“When you have a place filled with that much history that it should be conserved and that it shouldn’t have been torn down just to make housing,” says Brooklyn Tech High School student Chelsea Clayton.