Main Site | About BHS | Visitor Information | Exhibitions | Education | Library | Publications| Support BHS Press | Contact us | Online Store | Site Map
 

Brooklyn History Photo of the Week: Ebbets Field Rotunda

Ebbets Field rotunda, ca. 1950, v1991.11.16.1; Harry Kalmus papers and photographs; Brooklyn Historical Society.

As spring awakens, so does baseball. This photograph comes from the Harry Kalmus collection and shows the rotunda entrance of Ebbets Field, the majestic Flatbush home of the Brooklyn Dodgers. It appears to be a slow business day for the snack booth outside the ballpark. Perhaps it is still morning and the stadium crew is preparing for game day behind the closed gates. Seasoned Brooklynites may recall being able to enter the rotunda through one of twelve turnstiles. The interior of the rotunda featured a chandelier with twelve baseball bats holding twelve baseball lamps. The Dodgers have long since left Flatbush and Ebbets Field has been replaced by a housing complex, but the Dodgers and the legacy of Ebbets Field live on in BHS’s current exhibition Home Base: Memories of the Brooklyn Dodgers at Ebbets Field on view through April 1, 2012.

Interested in seeing more photos from BHS’s collection? Visit our online image gallery, which includes a selection of our images. To search our entire collection of images visit BHS’s Othmer Library Wed-Fri, 1:00-5:00 p.m.

Research, Writing, and Art: P.S. 312′s Fourth Graders Curate a History of Bergen Beach

Along with Educator Emily Gallagher, BHS Educator Alex Tronolone is working closely with a team of “young curators” at P.S. 312 to uncover the history of their Bergen Beach neighborhood this spring.  The work the students create will ultimately go into three professionally-designed museum panels to be displayed at the school.  BHS’s after-school program “Young Curators” is made possible by a Cultural After-School Adventures (CASA) grant from City Council Member Lewis Fidler.  I’m happy to introduce today’s guest blogger, Alex, and his insights on getting students engaged with history.

CASA Educator Alex Tronolone

Since the beginning of January I’ve been working with 16 incredible fourth graders in Bergen Beach to study their neighborhood and school. When we began the project I don’t think the students were quite clear about what we would be doing. They knew there was something with history, and that it was a “special” after-school program, but they couldn’t picture the end result – a museum exhibit in our school? However, the students’ visit to Brooklyn Historical Society helped bring their project to life since they got to see the actual archival materials firsthand.

On our first class meeting following the trip, we gathered in a circle on their library’s carpet to discuss our findings. We then split into groups of researchers, writers, and artists to begin making progress on the production of our panels. Beginning with this class session, the students took complete ownership of both their roles and their collective project. For example, the researchers transcribed a 17th century bill of sale for the land around Bergen Beach! The researchers also highlighted important information in historic newspaper articles we had looked at as a class and sent them over to the writers to craft the text for our exhibit panels. The writers recorded facts and ideas they had learned about and noted questions where more research had to be done and sent them over to the researchers to find answers. The artists went through our historic photos of Bergen Beach and looked through our research for descriptions to help them imagine the past. They also came up with two art project proposals that they presented to the entire class to debate and vote on.

Students from P.S. 312 examine documents on display at BHS.

The class now has its own momentum that comes from the genuine enthusiasm these young curators have for this project. My students are so engaged they’ve been spending their lunch periods going to the library to do additional research for the project and every week some students ask to take home work to do.

As a former classroom teacher, I am especially enjoying working with public school students in this student-driven learning environment.  When I taught special education in a NYC public middle school, my job as a teacher was really impacted by the external pressures of large class size and test prep.  We spent entire months preparing for test after test, data notebooks, and, if you were really unlucky, a ‘quality review’. Invariably these tests consisted primarily of multiple choice questions – the lowest common denominator of knowledge and assessment. Needless to say, discipline had to be iron. My students would refer to themselves as numbers; corresponding to their state test scores. I dare you not to feel ill when you hear an eleven-year old with special education services describe their academic achievement as, “I’m a one”, or, “I’m a two.”

In contrast, my work with the young curators gets to be participatory, grounded in real historical research, and driven by the students themselves. It’s exciting to think that my CASA students are legitimately enthusiastic about our project. The skills they learn working collaboratively to produce their exhibit will be skills they can use for the rest of their lives. They’re learning to run their groups democratically (you should see them organize themselves!) and to make decisions about what work needs to be done and who will do it. They will have ownership over the knowledge they gain through historical research that can’t be replicated by studying a textbook or preparing for a test. The excitement about historical and archival research…well, maybe that will wane, but for now, their energy and passion has a momentum that makes it easy and a joy to teach.

The P.S. 312 “Young Curators” team.

Mapping Weeksville

Recently, BHS staff had the privilege of touring the historic Hunterfly Road Houses at the Weeksville Heritage Center (WHC) in Bedford-Stuyvesant. The houses are original structures dating from the 1840s to the 1880s, and offer an intimate look into the lives of African Americans in Brooklyn. Founded by James Weeks in 1838, Weeksville was a free African American community with an independent infrastructure, including schools, an orphanage, churches, and newspapers.

Below are some images that I took during our visit to WHC:

Hunterfly Road Houses at Weeksville Heritage Center.

 

Hunterfly Road Houses at Weeksville Heritage Center.

After visiting WHC, I was inspired to see if Weeksville was represented in the BHS Map Collection. In particular, I was curious to see if Weeksville was shown on 19th century maps of Brooklyn. The results were interesting; although I did find Weeksville represented on a handful of maps, the majority did not show the community. The reason for this omission is not clear from the maps themselves, and is open to interpretation.

First, an example from 1856 that shows some of the infrastructure of Weeksville, although the map does not actually have the name Weeksville on it. The community was located in Bedford-Stuyvesant, and its modern-day boundaries are roughly Atlantic Ave., Kingston Ave., St. John’s Place, and Ralph Ave. On the following map, you will see the former site of Berean Baptist Church as well as “P. Col. S. No. 2,” which stands for “Public Colored School No. 2.”

Detail from: Map of the city of Brooklyn : being the former cities of Brooklyn & Williamsburgh and the town of Bushwick. Matthew Dripps. 1856. Brooklyn Historical Society Map Collection.

Next, an example from 1849 that says Weeksville. Unfortunately, the map was dissected and mounted on linen, and “Weeksville” is on the dissection line.

Detail from: Sidney's map of twelve miles around New York : with the names of property holders, &c. J.C. Sidney. 1849. Brooklyn Historical Society Map Collection.

The final example is from a map of the area around New York City, from 1852:

Detail from: Map of the country thirty three miles around the city of New York. J.H. Colton. 1852. Brooklyn Historical Society Map Collection.

Visiting WHC was an amazing experience, and if you’d like to learn more about the vibrant history of Weeksville, visit the WHC website. You can also read more about In Pursuit of Freedom, BHS’ partnership with WHC and the Irondale Ensemble Project, on the BHS website.

Brooklyn History Photo of the Week: New Utrecht Dutch Reformed Church

New Utrecht Dutch Reformed Church, ca. 1910; v1981.15.103, Ralph Irving Lloyd lantern slides; Brooklyn Historical Society.

From the desk of Cassie Mey, Project CHART intern: I am currently scanning the Ralph Irving Lloyd lantern slides of Brooklyn, 1890-1910. Many of the images in this collection reflect the end of an era when townships like New Utrecht, made up of old Dutch farmlands, were annexed into Brooklyn. Several weeks ago I came across this slide of the New Utrecht Dutch Reformed Church and was positively puzzled by the white pole in front of the church. I couldn’t believe that this was a pre-World War I image. I wondered how a radio antenna was present before there was radio.

As my research revealed, the original New Utrecht liberty pole was first erected on November, 25, 1783 – a New York holiday known as “Evacuation Day” –   to celebrate the British evacuation of Long Island. In the late eighteenth century, liberty poles – long, wooden poles, sometimes topped with a red “liberty cap,” –  were erected in protest of monarchial tyranny. They became popular during the American Revolution but were used around the world, most notably during the French Revolution.

The New Utrecht liberty pole reminds us of how happy many citizens of New Utrecht were to see the British set sail for home in 1783. After the Battle of Brooklyn in August 1776, the British army took control of Long Island, often commandeering the supplies and even some of the homes of residents in towns like New Utrecht. Though more than a few Kings County residents were loyalists at the start of the Revolutionary War, by its end most had come to resent their British occupiers. Liberty poles like the one in New Utrecht marked the joyous celebration of the departure of the British after a protracted and difficult war.

Interested in seeing more photos from BHS’s collection? Visit our online image gallery, which includes a selection of our images. To search our entire collection of images visit BHS’s Othmer Library Wed-Fri, 1:00-5:00 p.m.

Brooklyn History Photo of the Week: No-Hands Cake Eating Contest

No-Hands Cake Eating Contest, 1941, V1987.7.49, Drake Bakeries photographs, V1987.007; Brooklyn Historical Society.

These boys were the adjudged winners of the “no- hands” cake eating contest, which opened the ninth annual “Kiddy Party” at Luna Park on September 8, 1941.  The “Kiddy Party” was a three-day benefit for underprivileged children of the New York City metropolitan area, sponsored by Drake’s Cakes.  The winners were, left to right, 13-year old Harold Gold from the Bronx (first place); 13-year old Philip Rothman from Brooklyn (second place); and 10-year old William McGowan from Brooklyn (third place).  The judge, NBC Songstress Diane Courtney, congratulated the boys.

Drake’s Cakes was a snack cake company founded in Brooklyn by Newman E. Drake in 1888. The company originally sold pound cake by the slice. An early iteration of the company, called Drake Brothers Co., was located at 1006 Wallabout Market in Brooklyn. Around 1900, the company became Drake Bakeries, Inc. In 1903, the company built a factory and offices at 77 Clinton Avenue on the border of the Fort Greene and Clinton Hill neighborhoods of Brooklyn. Well known Drake’s products included ring dings, yodels, devil dogs, and coffee cake, all of which are still available today. Drake Bakeries was also one of the few kosher snack cake companies in the United States. In the 1960s, Drake was sold to a large food manufacturing company. Over the years, the brand has been resold to various corporations. Today, the brand known just as Drake’s is owned by Hostess Brands. The Drake Bakeries photographs were a gift from Mary Ellen Garafolo to BHS in 1987. The Drake Bakeries photographs consists of 61 photographs dating ca. 1917-1949. They depict exteriors of the Clinton Avenue factory, machinery inside the building, and workers on the job.

Interested in seeing more photos from BHS’s collection? Visit our online image gallery, which includes a selection of our images. To search our entire collection of images visit BHS’s Othmer Library Wed-Fri, 1:00-5:00 p.m.