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Brooklyn Past & Present

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11,713 Photos of the Week: Brooklyn Visual Heritage has Launched!

We are happy to announce the Brooklyn Visual Heritage (BVH) website, http://www.brooklynvisualheritage.org. The website was created through Project CHART, a 3-year collaborative project funded by the Institute of Museum and Library Services (IMLS) that began in 2010 between the Pratt School of Information and Library Science (Pratt-SILS), Brooklyn Historical Society (BHS), Brooklyn Museum (BM), and Brooklyn Public Library (BPL).

Project CHART supports a diverse group of Pratt-SILS students who take series of courses focusing on digital libraries and work with the staff of these distinguished institutions. Together, they have researched, cataloged, and digitized thousands of historical photographs of Brooklyn.

The Brooklyn Visual Heritage website highlights only a portion of the visual collections at these Brooklyn institutions. Each image contains links back to the partner sites, where you can learn more and contact the staff at the individual institutions for help with your research.

This has been a great endeavor that has allowed us to pull together a portion of their image collections from three great cultural heritage institutions in Brooklyn. We invite you to explore and use this new online resource intended to serve scholars, historians and the general public of all ages, to engage with Brooklyn’s historic past and make connections to its present diverse and vibrant culture.

Here are some image highlights from the three institutions…enjoy!

v2007.042.2

[Woman standing at an intersection], 1977, V2007.042.2; 1977 Blackout Slide collection, V2007.042; Brooklyn Historical Society.

CRIM0093

Cocktail party balked, 1953, CRIM 0093; Crime Collection; Brooklyn Public Library, Brooklyn Collection.

DODG0135

Ebbets Field welcome, 1944, DODG 0135; Brooklyn Dodgers collection; Brooklyn Public Library, Brooklyn Collection.

HF5841_Ad9_p06_tradecard01_recto.

Tradecard. Jos. O’Brien & Co., Dry & Fancy Goods. 151 to 159 Atlantic Ave. Brooklyn, NY. Recto, : [Advertising cards] [ 1883-1889]; Brooklyn Museum Libraries, Special Collections

S10_21_US_Brooklyn_Brooklyn_Coney_I

Views: U.S., Brooklyn. Brooklyn, Coney Island. View 012: Coney Island, about 1899, Lantern Slide Collection; Brooklyn Museum Archives.

V1988.35.5

[Female Factory Workers], 1915 ca., V1988.35.5; Eberhard Faber Pencil Company collection, ARC.028; Brooklyn Historical Society.

For even more images from the Brooklyn Historical Society photography collection please visit our online image gallery which includes a selection of our images.  To search our entire collection of images, visit BHS Othmer Library Wed-Fri 1:00-5:00 p.m.

For more information on Brooklyn Visual Heritage you can also find us on Facebook and Twitter here:

Facebook page: https://www.facebook.com/pages/Brooklyn-Visual-Heritage/132586790244481?ref=ts&fref=ts

Twitter: https://twitter.com/Bklyn_Heritage

The website will be presented on at the upcoming 2013 ARLIS annual conference in Pasadena, California and also at the 2013 Museums and the Web conference in Portland, Oregon. Tula Giannini, Dean, Pratt-SILS will present the paper, Visualizing Brooklyn at the Electronic Visualization and the Arts Conference in London in June 2013.

Project CHART is funded through an IMLS grant sponsored by the Laura Bush 21st Century Librarian program.

 

Photo of the Week: Fashionable Yachts

Yachts and Schooner “dress up” for the summer season, circa 1930, V1973.5.971; Brooklyn Photograph and Illustration collection, ARC.202; Brooklyn Historical Society.

This beautiful yacht is being cleaned and painted in the Tebo Yacht Basin area.  In searching for more information on the Tebo Yacht Basin area I found some articles in the Brooklyn Daily Eagle newspaper online, through the Brooklyn Public Library. According to this article on a “Fine Fleet of Yachts” Tebo’s yacht basin sat at the foot of Twenty-Third Street.  Another article “Tebo’s Yacht Basin Sold” describes the Tebo Yacht Basin as “a Brooklyn hospital for disabled vessels and a famous wintering place for the aristocracy of the sea.” The original owner of the Tebo Yacht Basin was Mr. William M. Tebo, a Flatbush millionaire and philanthropist according to his obituary.  He suffered from paralysis for years before he passed away in 1900.   Soon after Mr. Tebo’s death, C.B. Haviland and J. Wiliam Haviland Jr., two of the grandchildren of William Tebo, became sole owners of the  property.  It is unclear how long the Tebo Yacht Basin remained open after that, but this image provides a brief glimpse of it in its heyday.

Interested in seeing more photographs from BHS’s collection? Visit our online image gallery which includes a selection of  our images.  To search our entire collection of images, visit BHS Othmer Library Wed-Fri 1:00-5:00 p.m.

Photo of the Week: Meserole House

 

Meserole House, 1000 Lorimer Street, ca.1905, V1981.15.124; Ralph Irving Lloyd lantern slides, V1981.015; Brooklyn Historical Society.

From the desk of Cassie Mey, Project CHART intern: While scanning the Ralph Irving Lloyd lantern slides, ca. 1905, I have discovered particular slides that speak to me personally and enliven Brooklyn history in my imagination. For example, I used to live at 1010 Lorimer Street in Greenpoint, Brooklyn, and this lantern slide shows a historic house at the address of 1000 Lorimer Street. Currently, 1000 Lorimer is the site of a brick manufacturing building, so at first I didn’t realize that I possibly lived next door to the original site of the house captured in this slide. Since making this connection and the more I look at this image, the more it looks to me as if this Meserole House could be the very same structure of the wood-sided, multi-family townhouse at 1010 Lorimer Street, where I previously lived. I’m also struck by how the surrounding apartment buildings in the image look so much like Greenpoint of today.

The creator of this slide collection, Dr. Ralph Irving Lloyd, amateur photographer and Park Slope ophthalmologist, captured Brooklyn around the time that the city was incorporated as a borough of Greater New York City. His lantern slides show exterior views of historic houses and the landscapes and early street scenes that tell the story of Brooklyn transitioning into today’s cityscape. Against this backdrop, adults, children, and even cats show up as observers in Lloyd’s slides.

Many other images in the Ralph Irving Lloyd collection could offer a historic view of your house, or even an early street scene from your block.  View more of Lloyd’s images and others from the BHS collection on the Online Image Gallery.  To search our entire collection of images visit BHS’s visit the Othmer Library Wed-Fri, 1:00-5:00 p.m.

Many other images in the Ralph Irving Lloyd collection could offer a historic view of your house, or even an early street scene from your block.  View more of Lloyd’s images on the BHS Online Image Gallery.

Photo of the Week: Lamp Posts of Brooklyn’s Past

View of east side of 8th Avenue, June 11, 1961, v1974.9.250; John D. Morrell photographs, ARC.005; Brooklyn Historical Society.

 Either the photographer (and Long Island Historical Society librarian) John D. Morrell captured an intense game of hide-and-seek or the girls are upset with the knowledge that the days of their grand cast-iron lamp posts are numbered.  According to Forgotten New York, this lamp post is a Type G, popular in both parks and residential streets.  Few remain outside of Stuyvesant Town because it wasn’t until 1997 that the Landmarks Preservation Commission granted landmark status to approximately 60 historic street lamp posts acrossNew York City. Some lamps from the same class as this one were given protection based on their historic value to the design iconography of streets across the five boroughs.

It’s unlikely the girls were remotely aware of the lighting in their hide-and-seek territory being replaced by a less ornate aluminum or  steel lamppost and in some ways this Park Slope corner looks much the same today as it did then.  However subtle modifications—like the disappearance of a decorative lamppost and the smart-looking red fire hydrant—demonstrate gradual changes that can seem like huge and unfortunate ones to us today.

Interested in seeing more photos from BHS’s collection? Visit our online image gallery, which includes a selection of our images. To search our entire collection of images visit BHS’s Othmer Library Wed-Fri, 1:00-5:00 p.m.

Research, Writing, and Art: P.S. 312′s Fourth Graders Curate a History of Bergen Beach

Along with Educator Emily Gallagher, BHS Educator Alex Tronolone is working closely with a team of “young curators” at P.S. 312 to uncover the history of their Bergen Beach neighborhood this spring.  The work the students create will ultimately go into three professionally-designed museum panels to be displayed at the school.  BHS’s after-school program “Young Curators” is made possible by a Cultural After-School Adventures (CASA) grant from City Council Member Lewis Fidler.  I’m happy to introduce today’s guest blogger, Alex, and his insights on getting students engaged with history.

CASA Educator Alex Tronolone

Since the beginning of January I’ve been working with 16 incredible fourth graders in Bergen Beach to study their neighborhood and school. When we began the project I don’t think the students were quite clear about what we would be doing. They knew there was something with history, and that it was a “special” after-school program, but they couldn’t picture the end result – a museum exhibit in our school? However, the students’ visit to Brooklyn Historical Society helped bring their project to life since they got to see the actual archival materials firsthand.

On our first class meeting following the trip, we gathered in a circle on their library’s carpet to discuss our findings. We then split into groups of researchers, writers, and artists to begin making progress on the production of our panels. Beginning with this class session, the students took complete ownership of both their roles and their collective project. For example, the researchers transcribed a 17th century bill of sale for the land around Bergen Beach! The researchers also highlighted important information in historic newspaper articles we had looked at as a class and sent them over to the writers to craft the text for our exhibit panels. The writers recorded facts and ideas they had learned about and noted questions where more research had to be done and sent them over to the researchers to find answers. The artists went through our historic photos of Bergen Beach and looked through our research for descriptions to help them imagine the past. They also came up with two art project proposals that they presented to the entire class to debate and vote on.

Students from P.S. 312 examine documents on display at BHS.

The class now has its own momentum that comes from the genuine enthusiasm these young curators have for this project. My students are so engaged they’ve been spending their lunch periods going to the library to do additional research for the project and every week some students ask to take home work to do.

As a former classroom teacher, I am especially enjoying working with public school students in this student-driven learning environment.  When I taught special education in a NYC public middle school, my job as a teacher was really impacted by the external pressures of large class size and test prep.  We spent entire months preparing for test after test, data notebooks, and, if you were really unlucky, a ‘quality review’. Invariably these tests consisted primarily of multiple choice questions – the lowest common denominator of knowledge and assessment. Needless to say, discipline had to be iron. My students would refer to themselves as numbers; corresponding to their state test scores. I dare you not to feel ill when you hear an eleven-year old with special education services describe their academic achievement as, “I’m a one”, or, “I’m a two.”

In contrast, my work with the young curators gets to be participatory, grounded in real historical research, and driven by the students themselves. It’s exciting to think that my CASA students are legitimately enthusiastic about our project. The skills they learn working collaboratively to produce their exhibit will be skills they can use for the rest of their lives. They’re learning to run their groups democratically (you should see them organize themselves!) and to make decisions about what work needs to be done and who will do it. They will have ownership over the knowledge they gain through historical research that can’t be replicated by studying a textbook or preparing for a test. The excitement about historical and archival research…well, maybe that will wane, but for now, their energy and passion has a momentum that makes it easy and a joy to teach.

The P.S. 312 “Young Curators” team.