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Brooklyn History Photo of the Week: The Brighton Beach Hotel

bhs_v1972.1.554

[Moving of Brighton Beach Hotel], April 3 1888, v1972.1.554; Walter H. Nelson, Brooklyn Historical Society Photography Collection.

The Brighton Beach Hotel was a three-story structure located on Brighton Beach, at the foot of today’s Coney Island Avenue. The hotel was constructed by William A. Engeman and completed in 1878. Brighton Beach was connected to Manhattan by the Brooklyn, Flatbush, and Coney Island Railway, which later became the BMT Brighton Line (or the B and Q trains). Developers of the area intended it to serve as a middle-class alternative to the seedier Coney Island resorts nearby.

In the 1880s, severe beach erosion began to threaten the hotel’s waterfront location. The building was moved, in a single piece, to a location several hundred feet further inland. The move was engineered by B.C. Miller, and took nine days to complete, although the hotel did not reopen until late June. This photograph was taken on April 3, 1888; it shows the second day of the move. Visible on the left side of the photo are the locomotive tracks and flat cars that, along with six steam locomotives, were used to move the building.

New Luna Park opening in Coney Island on May 29th

With the grand opening of the new Luna Park in Coney Island this Saturday, May 29th, we thought it would be cool to post of some of the great photographs of the original Luna Park from our collections.

The original Luna Park opened up in Coney Island on May 16, 1903 (and closed in 1944).  A New York Times article that covered the opening stated that 45,000 individuals showed up to the park’s first day:

New York Times, May 17, 1903
New York Times, May 17, 1903

Luna Park’s  main entrance circa 1903:

Luna Park, main entrance, ca. 1903.  Eugene L. Armbruster Photograph & Scrapbook Collection.  V1974.22.5.2.  Photography Colleciton of the Brooklyn Historical Society.
Luna Park, main entrance, ca. 1903. Eugene L. Armbruster Photograph & Scrapbook Collection. V1974.22.5.2. Photography Collection of the Brooklyn Historical Society.

Here is an image of the main entrance in the 1920s:

Luna Park, main entrance, 1924.  V1974.1.835. Eugene L. Armbruster Photograph & Scrapbook Collection, Photography Collection of the Brooklyn Historical Society.
Luna Park, main entrance, 1924. V1974.1.835. Eugene L. Armbruster Photograph & Scrapbook Collection, Photography Collection of the Brooklyn Historical Society.

Many of the park’s attractions seemed to have surrounded around performance.  For a mere 5 cents visitors could witness something titled “The Fatal Wedding”:

Luna Park attraction 1904.  Eugene L. Armbruster Photograph & Scrapbook Collection.

V1974.22.5.23.  Photography Collection of the Brooklyn Historical Society.

There was also a daily fire, which visitors could gawk at:

“Fighting the Flames,” 1904. Eugene L. Armbruster Scrapbook & Photograph Collection. V1974.22.5.40. Photography Collection of the Brooklyn Historical Society.

There were also rides at the old Luna:

Circle Swing, Luna Park 1904.  Eugene L. Armbruster Photography & Scrapbook Collection.  V1974.22.5.26.  Photography Collection of the Brooklyn Historical Society.
Circle Swing, Luna Park 1904. Eugene L. Armbruster Photography & Scrapbook Collection. V1974.22.5.26. Photography Collection of the Brooklyn Historical Society.”

"Shooting the Chutes at Luna Park," 1904.  Eugene L. Armbruster Photography & Scrapbook Collection.  V1974.22.5.36.  Photography Collection of the Brooklyn Historical Society.
“Shooting the Chutes at Luna Park,” 1904. Eugene L. Armbruster Photography & Scrapbook Collection. V1974.22.5.36. Photography Collection of the Brooklyn Historical Society.

Coney Island Carousel Carver

Image courtesy of the National Carousel Association

Image courtesy of the National Carousel Association

M.C. Illions (1872 – 1949) was one of the world’s greatest carousel carvers.  His beautifully painted horses with gold-leaf manes became a signature of Coney Island Style.

Marcus Charles Illions was born in Vilnius, Lithuania and he came to Coney Island in 1888 with the British animal showman Frank C. Bostock.  He worked with famed carousel carver Charles Looff until opening his own shop in 1909: M.C. Illions and Sons Carousell Works on Ocean Parkway and Neptune Avenue in Coney Island (across the street from where Lincoln High School now stands: 2789 Ocean Parkway).

In 1988, BHS interviewed one of M.C. Illions’ sons: Bernard Joseph “Barney” Illions (1901-1988).  In this interview Barney Illions remembers when Dreamland amusement park burned down and many of Bostock’s animals perished.  He describes how his father started working with Charles Looff and the influence M.C. had on other master carvers of the time like W.F. Mangels, Carmel, Stein & Goldstein.  Barney describes in wonderful and loving detail the process of creating beautiful carousel horses.  Many of Illions’ horses are now sought after collectors items.

For more about the carousels of Coney Island check out the Flying Horses Catalog and Painted Ponies.

Listen to Barney Illions’ full interview here

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Thank you to Andy Hollenhorst for all his help researching and cataloging BHS’s Coney Island oral histories.

Mangels-Illions Carousel courtest of liangjinjiang on Flickr

Mangels-Illions Carousel courtest of liangjinjiang on Flickr

Park Lit TONIGHT Coney Island ALWAYS

Two of BHS’s Interpreting Brooklyn artists, novelist Elizabeth Gaffney and Coney Island playwright Michael Schwartz, will be reading tonight in Fort Greene Park with L.J. Davis, a fellow contributor to the magazine A Public Space.

Another friend of BHS and Coney Island, Charles Denson, founder of the Coney Island History Project, is hosting an online conversation at The New York Times City Room Blog this week.

If you haven’t been following the debates about revitalizing Coney Island, the City Council is about to vote on a rezoning plan and the Municipal Art Society has suggested improvements to the proposed plan.  The New York Times and local community organizations have endorsed MAS’s improved plan which doubles the size of the amusement area and removes hotels from the south side of Surf Avenue which would block the view of the ocean.

“Coney Island is a great business school… you have to be very dumb not to learn how to sell.  And I wasn’t!”

That’s a quote from an interview with Lillian Santangello, founder of the World of Wax Musee, Coney Island’s first and only wax museum conducted by BHS in 1987.  Check out BHS’s podcast to hear more from this interview.

Ms. Santangello was almost 80 years old at the time of the interview and she has wonderful things to say about her wax figures and the visitors to her museum on the corner of Stillwell and Surf Avenue – both the celebrities like Charlie Chaplin and the “riff raff”.   Ms. Santangello grew up in Coney Island and started working at at early age helping her adopted father at his fruit and peanut stand.  The wax figures in her museum included Nat King Cole, Roberto Clemente, and a figure in an electric chair which now haunts BHS’s warehouse…

Sunset Park Oral Histories

The current Public Perspectives exhibit, Living and Learning: Chinese Immigration, Restriction, and Community in Brooklyn, 1850 to Present curated by Andy Urban, features audio clips from BHS’s oral history collections – you can listen online or download the BHS podcast from iTunes (search the Store for Brooklyn Historical Society).

In 1993 – 1994, BHS and the Museum of Chinese in America, then known as the Chinatown History Museum, collected interviews regarding Brooklyn’s Chinese Community in Sunset Park.  The resulting oral history collection, 8th Avenue – Sunset Park Oral History Project (1993 – 1994), is housed at BHS and includes 28 interviews conducted by Mary Lui, Gregory Ruf, Fabiana Chiu, and Ka-Kam Chui, in English, Cantonese, and Mandarin.  Narrators include recent Chinese immigrants as well as people of Italian and Puerto Rican heritage who had lived in Sunset Park for generations.  Researchers have access to the transcripts and now, thanks to the careful, diligent work of BHS Oral History interns Alexis Taines and Niles French, researchers will now be able to LISTEN to these interviews as well.

Listening to an interview, a performative interaction between two people, hearing the narrator and the interviewer and their accents, intonations, meaningful pauses, tears, and laughter, is a very different experience from reading a transcript.  There is a lot of conversation in the oral history community about how to handle transcripts, which are still the safest way to preserve an interview, and the easiest medium to search through quickly, as well as the audio/video recordings, which contain so much more information than the text alone.  At BHS, we think it is important to make these audio/video documents accessible along with the transcripts.  To do this, we are digitizing the interviews that were originally recorded onto cassette.  This is a necessary step for preserving the audio, since cassette tapes decay, and once the recording is in the format of a digital audio file researchers can listen to the interview from any computer connected to our digital archive.

To date, BHS has digitized one complete collection: Brooklyn Business – Coney Island and Brooklyn Navy Yard (1974 – 1989) and we are moments away from finishing the digitization of all 69 interviews from the Puerto Rican Oral History Project (1973 – 1976) thanks to the very dedicated work of BHS Oral History Intern Amna Ahmad.

In order to complete the digitization of the 8th Avenue – Sunset Park Oral History Project (1993 – 1994), BHS needs volunteers who understand Cantonese and/or Mandarin – please contact us if you are interested!