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StoryCorps

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More History Than We Can Handle?

This is an interesting discussion from the National Council on Public History conference blog.  I’ve mentioned before that we need a new term to describe this wonderful phenomenon of more and more people documenting their lives publicly, and projects like StoryCorps, that fall somewhere between journalism and oral history.

Opening keynote speaker Jill Lepore, keying on a New York times article that talked about an “unprecedented pileup of historic news,” bemoaned the lack of depth or analysis in most of the discussions of historic candidacies, elections, meltdowns, and what have you, and pointed out that the current feeling of “cuspiness”–being on the edge of momentous change–is, in fact, hardly new. Referencing the Studs Turkel model of oral history and clips from the New York Times “New Hard Times,” which invites readers to videotape and upload their own families’ stories about the last Great Depression, Lepore argued that such projects, driven by shorter and shorter news cycles, are deeply at odds with the historian’s responsibility to make careful, in-depth analyses about the past. In an age where everyone is increasingly his or her own historian, Lepore made a case for the unique role of the historian in showing how the past relates to the present.

Archie Green

Folklorist and musicologist Archie Green (b. 1917), who established the American Folklife Center in the Library of Congress, has died.

Raised by a socialist father, Green worked in the San Francisco shipyards during WWII and both experiences inspired his lifelong love of labor history.  He influenced countless oral historians and the American Folklife Center houses the Veterans History Project and StoryCorps collections among much much more.  He also wrote Tin Men, a book documenting folk art robot-like figures crafted out of found metal.

It’s A Small Island After All

Yesterday I had one of those “small world” experiences that reinforces the idea that there aren’t many degrees of separation between all of us (and Kevin Bacon). Every Wednesday I volunteer at the Brooklyn Historical Society, helping Oral History Coordinator Sady Sullivan organize audio files that are backlogged or fall through the proverbial cracks. Sady had recently found some old Coney Island related interviews, including one with the son of Marcus Illions, a Lithuanian immigrant that became a world class carver of horses on the Coney Island Carousels, and Lillie Santangelo, founder of Coney Island’s famous “World in Wax” Museum

So yesterday I was listening to another “lost” interview, that turned out to be with Matt Kennedy, who was a long time employee of the Coney Island Chamber of Commerce. He grew up in Coney Island, working summers at the roller coasters and bath houses of the mythic play land. Here’s the crazy part: I had just 2 weeks ago received a Harvey Wang photo print of Matt Kennedy posing in front of the Cyclone Roller Coaster, a prize in the StoryCorps Staff Fundraising Contest (I work at StoryCorps, the National Oral History Project, as my day job). Turns out Dave Isay, the founder of StoryCorps, had interviewed Matt for the the “Holding On” collection, produced by Sound Portraits, Dave’s radio documentary organization. I picked that print because Matt looked intriguing, Coney Island is a magical place for a kid from Suburban Milwaukee, and I liked the general look of the photo.

Weird, eh? –Andy Hollenhorst