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“We Live in Brooklyn, Baby”

Several weeks ago I attended the Roy Ayers concert at SummerStage (here’s the live performance) in Central Park. It was a gorgeous evening, with a crowd that probably represented six of the seven continents. When Ayers played Harry Whitaker‘s song, We Live in Brooklyn, Baby (originally recorded on Ayers’ 1971 album, He’s Coming), everyone knew it. The entire audience sang in unison “We live in Brooklyn, baby. We’re trying to make it, baby. We wanna make it, baby. We’re gonna make it, baby.” (link to the 1971 version)

It was an amazing feeling when we–people from Brooklyn, Manhattan, the Bronx, Queens, Staten Island…people from what looked to be everywhere and beyond–shared with each other our vision of Brooklyn. You could feel it too. Everyone who sang that song knew Brooklyn–had a connection to it in their own way. It started me thinking about the idea of Brooklyn. How has people’s ideas of what Brooklyn is and what it represents changed over the years? Who influenced/is influencing the idea of what Brooklyn is? Who is defining it?

So far, while working on the CLIR project here at BHS, I’ve come across many different ideas of what Brooklyn is and how it should be remembered. Our archival, photography, oral history, and map collections are filled with people’s ideas of Brooklyn. Further, I’m not the only one thinking about what and who makes Brooklyn, Brooklyn. Currently at BHS, we have an excellent exhibit that explores the idea of Brooklyn–Inventing Brooklyn: People, Places, Progress. The March/April 2011 issue of City Limits Magazine also explored the idea of Brooklyn, or rather how we define Brooklyn. And last night, at the Skylight Gallery located within Restoration Plaza, a new exhibit opened, Crown Heights Gold: Examining Race Relations and Healing in Crown Heights, that explores various views of one neighborhood in Brooklyn and one event that took place there, the Crown Height Riots of 1991. (Note: BHS is also hosting an event with the curator of Crown Heights Gold, Dexter Wimberly, and two of the artists from the exhibit on August 11, 2011; for more on Crown Heights, see BHS’s oral history collection: Crown Heights Oral History-Listen To This)

If you too are interested in exploring, examining, and defining the past, present, and future of Brooklyn, you can do your own research at BHS in the Othmer Library (Wed. through Fri. 1-5pm or by appointment). In the meantime, here are some examples of how Brooklyn is represented in our collections.

In the late 1960s/early 1970s Newsweek photojournalist/photographer Bernard Gotfryd shot these photographs of East New York, Crown Heights, and Fort Greene.

Kids in window, East New York. Photograph by Bernard Gotfryd, circa 1965. From the Bernard Gotfryd color slides and photographs, V1987.003 (Object ID # V1987.3.6)

 

Clean laundry, Crown Heights. Photograph by Bernard Gotfryd, circa 1965. From the Bernard Gotfryd color slides and photographs (V1987.003; Object ID #1987.3.17)

 

Street scene, Fort Greene. Photograph by Bernard Gotfryd, circa 1965. From the Bernard Gotfryd color slides and photographs (V1987.003; Object ID #1987.3.14)

Baseball seems to be in the blood of Brooklynites. Our collections definitely support this.

Actor, professional athlete, and Brooklyn son Chuck Connors (1921-1991) played baseball for the Bay Ridge Celtics before he went on to play for the Montreal Royals (the Dodgers minor league affiliate team at the time), the Brooklyn Dodgers, the Los Angeles Angels (then still a farm team), and the Chicago Cubs. (Oh yeah, he also played professional basketball for the Boston Celtics the first year the team was established in 1946…all before he went on to have a 40 year career as an actor).

Chuck Connors in his Bay Ridge Celtics uniform at Ebbets Field, 1938. From the Chuck Connors photographs (V1987.012; Object ID #V1987.12.9)

Ralph Irving Lloyd (1865-1969) was a Brooklyn ophthalmologist (actually, quite renowned in the field) and, lucky for us, a really good amateur photographer who took this early photograph of Brooklyn baseball.

Chicago v. Brooklyn. Albert Peter "Lefty" Leifield pitching, ball in air, circa 1912. From the Ralph Irving Lloyd lantern slides (V1981.015; Object ID #V1981.15.204)

The BHS archival collections contain many great family collections that tell of Brooklyn from each family’s individual and unique perspective. The Mulford family lived in the Prospect-Lefferts Gardens neighborhood at 240 Hawthorne Street (the house is still there). Their family photograph collection dates from circa 1880 to 1930 and, of course, includes a baseball photo or two or three.

Oldest Mulford son (?) in his Kensington AC baseball uniform, circa 1900. From the Mulford family photograph collection (V1974.010; Object ID #V1974.10.68)

You can view these photographs and many others via our image database in the library. Some photographs are available online (with more to come), and there is the rest of our approximately 2000 linear feet of archival collections to research. Come, explore, research, examine, define…”cause we live in Brooklyn, baby.”

What’s wrong with my scrapbook?

The library at BHS is lucky enough to have a great team of interns working on all kinds of projects from answering your reference questions to scanning historic images to cataloging archival collections. Today we’ll hear from Katy Christensen, who has been working in the archives processing and cataloging archive, manuscript and photo collections, about some of her recent work.

Scrapbooking has become increasingly popular in recent years and one can now find webpages devoted entirely to scrapbook layouts and suggested themes. They are hardly a new phenomenon, however. Scrapbooks have been around for well over a century and we have dozens in our collection. They present a fascinating conundrum to the archivist as they have both benefits and drawbacks as methods of preserving the historical record. Different materials need different conditions for optimal preservation, so having a photograph glued opposite a newspaper article is not particularly good for either material. And the less said about glue the better. But from the perspective of the cultural historian, there is valuable information in the associations made by the scrapbook’s creator between different materials. Whether the organization is chronological or thematic, why a person or society kept materials together is fascinating.

Eckford Club New Year's Card

I recently had the pleasure of processing one of our scrapbooks and found some amazing and delightful materials inside. Sadly, the condition of the materials, and the book itself, is poor and the materials would have been much better served to have been saved separately. This collection, that of the Eckford Social Club, covers a variety of topics over its length. Many of these materials would not have been associated with each other were it not for their current domicile and the value of the materials is in large part in the information conveyed by the whole, rather than by the parts.

The collection covers the years 1871-1961, with a particular concentration of information between 1899 and 1956. It is predominately composed of newspaper clippings relating to the club’s members. They were in a variety of fields throughout New York and thus the clippings cover many topics: medical advances, judicial appointments, and political races among others. The club had a particular interest in baseball, having been founded as a baseball club and only later evolving into a social club. A few of the members had a share in the Brooklyn Dodgers, and one of them received a Christmas card from Babe Ruth in 1931.

Christmas Card from Babe Ruth

There are other treasures in the collection, such as a discussion on the role of the wife by a bachelor magistrate which would make any modern woman cringe, a sweet article about a Prospect Park gardener, cartoonish watercolor images, and charming post cards.

Women and Marriage ClippingProspect Park Gardener ClippingWatercolorWatercolorTwo PostcardsPostcard

It is fascinating to see these disparate items together; to see them linked to sports scores, political campaigns, and obituaries; and to know that there was a group of men who found each of these items interesting enough to keep. But the downsides of scrapbooking are just as easy to see. The earlier photographs have all faded and the figures within them are often difficult to distinguish.

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The later photographs are not as damaged, but it is only a matter of time.

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So what is the moral of this story? Think before you scrapbook. There are better ways to store your images and ephemera. If, however, you feel determined to keep them together, there are ways to at least alleviate the stresses that multiple media will place on each other. Use acid free paper. Use photo corners or dots and avoid glue and tape. I only urge that you make an informed decision before committing your memories to a possibly hazardous home.

For more information about safe scrapbooking, here is a good article on the subject.

Brooklyn Dodgers on WNYC

If you missed the Forever Blue event at BHS on March 21st, you can listen to it here on WNYC:

Join Pulitzer Prize-winning author Michael D’Antonio with Peter O’Malley, president of the Los Angeles Dodgers 1970 – 1998, and Richard Sandomir, Sports Broadcasting Reporter for the New York Times, as they discuss the true story of Walter O’Malley and the Dodgers of Brooklyn and Los Angeles on the occasion of the launch of Mr. D’Antonio’s new book Forever Blue.